Shirley Maclaine portrays an aging piano tutor with some very strict ideas about the purity of her service and the pitfalls of ambition, in an original coming-of-age drama set against the highbrow world of classical music instruction. As an eccentric (what else?) Russian émigré in an offbeat London household, Maclaine plays the role of a fussy perfectionist to perfection, showering her naive new pupil (a gifted Anglo-Indian prodigy with more talent than wisdom) with stern maternal affection, and guarding him against the crass, commercial ambitions of his mother. Not even the clumsy expository flashbacks or a romantic subplot involving Twiggy can dim the luster of Ruth Prawer Jhabvala's perceptive screenplay, which in between selections from Beethoven and Chopin explores the widening gap between art and commerce, in both music and life. Director John Schlesinger doesn't need to add much more than a series of slow camera pans over candle-lit rooms, but he manages to generate more tension than otherwise might be expected from the piano recital climax, during which the young student is forced to choose between a lifelong vocation and a lucrative career.
Review of Madame Sousatzka
