Madadayo (1993) was the last film written and directed by the great Akira Kurosawa. Sadly, although the movie bears touches of Kurosawa's genius, it is not a truly memorable film.
The plot follows the life of a kindly professor, who retires from teaching but who is revered, respected, and almost worshiped by his former students. The problem for me was that we see the professor's many child-like foibles--which the students don't appear to mind--but we never see any evidence of the professor's greatness.
The professor taught German, not philosophy or religion, so the subject matter of his lectures couldn't have been inherently inspiring. We are never told what he said within or outside of class that brings about the fervent admiration of his students.
After the professor retires, he suffers a series of unpleasant incidents--some serious and some trivial. In each case he students come together to help restore his life to balance. In addition, they have a highly formalized party on his birthday each year. Eventually they include their wives, children, and grandchildren in these laudatory ceremonies.
The film is not boring, and it excels in the crowd scenes as well as in the scenes of wartime destruction, but it never provides a central core of substance that would have made the details and incidents meaningful.
We saw this film at the excellent Dryden Theatre at George Eastman House in Rochester. However, most of the action takes place indoors, and I'm sure the movie would work well on the small screen.
The plot follows the life of a kindly professor, who retires from teaching but who is revered, respected, and almost worshiped by his former students. The problem for me was that we see the professor's many child-like foibles--which the students don't appear to mind--but we never see any evidence of the professor's greatness.
The professor taught German, not philosophy or religion, so the subject matter of his lectures couldn't have been inherently inspiring. We are never told what he said within or outside of class that brings about the fervent admiration of his students.
After the professor retires, he suffers a series of unpleasant incidents--some serious and some trivial. In each case he students come together to help restore his life to balance. In addition, they have a highly formalized party on his birthday each year. Eventually they include their wives, children, and grandchildren in these laudatory ceremonies.
The film is not boring, and it excels in the crowd scenes as well as in the scenes of wartime destruction, but it never provides a central core of substance that would have made the details and incidents meaningful.
We saw this film at the excellent Dryden Theatre at George Eastman House in Rochester. However, most of the action takes place indoors, and I'm sure the movie would work well on the small screen.