An illustrious group of German industrialists plot to overthrow Hitler by negotiating a peace treaty with England. Disgraced, but dedicated Nazi Colonel Werner von Uhland (a solid performance by Enzio Miani) is assigned by his superiors to ferret out these deceitful dissidents and stop them before it's too late. von Uhland recruits a bunch of beautiful women to seduce the traitors and undermine their nefarious conspiracy. Director Fabio Di Agostini, who also co-wrote the intriguing script with Oscar Righini, eschews the Naziploitation genre's trademark harsh and graphic depictions of torture and brutality to focus instead on a pleasing plethora of tasty female nudity, steamy soft-core sex, and oodles of carnal perversion that runs the gamut from nymphomania to sadism to breast fetishism to lesbianism to even a scorching drag strip act involving a lovely distaff Hitler impersonator (!). Better still, the gals playing the colorful assortment of sexy whores are all smoking hot, with Isabelle Marchall as the alluring Isabelle, Alessandra Palladino as the buxom Greta, Almina De Sanzio as the masochistic Martha, and especially ravishing blonde knockout Carla Schiavanocic as the insatiable Linda rating as the sexiest of these lascivious ladies. Moreover, there are sturdy supporting turns by Francesca Righini as von Uhland's loyal and worried wife Frau, Fred Williams as vain and suave nobleman Helmut van Danzig, Rosita Torosh as von Uhland's icy and duplicitous henchwoman Ursula Turner, and Mike Morris as the stern General von Gurderwal. Antonio Maccopi's glossy widescreen cinematography gives the picture an impressive slick look while both the sets and costumes are pretty lavish for the genre. Francesco Valgrande's classy orchestral score likewise does the trick. One of the classier and hence quite praiseworthy entries in the much-derided Nazispoitation cycle.
Review of The Red Nights of the Gestapo
