Star Trek: The Omega Glory (1968)
Season 2, Episode 23
I liked it.
27 March 2010
Yeah, this episode's got some problems. No, strike that, it's got some serious plot holes, and Shatner's speechifying at the end is a double edged sword; it both helps salvage an iffy episode and at the same time drive another nail into a story that was half baked.

But, for all that, I happen to think it an okay installment. The starship captain gone rogue is something that would have reared its head sooner or later in the series, so why not here?

Yes, the whole Com (Kohm?) and Yang thing was trite. It feel very deus machina, but only in retrospect. By the time the planet's environment and history are fully surmised you're too invested to take any notice. Oh sure, you'll have the "what now?" moment, and maybe even a touch of "oh-come-on" if you're an unforgiving sci-fi fan, but, imagine you don't know the back-story for a moment. If the story had been set in a purely alien environment it would've have worked just as well, if not better by the mere fact that Trek wasn't recycling the parallel-Earth thing.

And that's kind of the heart of matter. Morgan Woodward is an excellent actor, and gives us a black shirted starfleet officer with gold braid. He's the heavy, and does a superb job. The fact that the production values had to fit within a certain budget isn't his fault, nor the fault of any of the cast. The story of an officer falling for temptation is not a unique one. Here the execution is a little wobbly, but otherwise it grabs and keeps your attention. Me, I don't find this episode to be too much of a mess. If the two warring factions in this episode had been Polka-dot aliens versus the striped aliens, would that have made this episode any better? I'm not sure it would have. It may have led some credibility to the science and fiction in this work of science-fiction, but, to me at least, it's a secondary consideration. We're here to see Kirk, Spock and McCoy bring Ron Tracy to justice. They're met with some obstacles, but it all works out. How does the setting alter this? Personally, I don't think it does (or at least not by much).

If I had a real complaint, it would be the fact that Woodward's character seemed to really fly off the handle. And I mean in a big way. He wasn't sinister so much as obsessed with riches and long life. I guess a starship pension wasn't good enough for him. Oh well.

Look, bash it if you like, because this episode deserves some of the criticisms leveled at it, but it is sci-fi show made in the 60s. I mean, Desilu studios HAD it's limitations.

Take it for what it's worth.

Enjoy.
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