Hanna D: The Girl from Vondel Park (1984)
** 1/2 (out of 4)
Italian trash is pretty much a remake of CHRISTIANE F. Teenager Hanna (Ann-Gisel Glass) shows old men her body for some quick cash but after hitting the streets to get away from her alcoholic mother, she soon finds herself with an even bigger creep who gets her hooked on heroin and forcing her into prostitution. If you shy away from trash that takes a serious subject and exploits it just to show off some T&A then you'll certainly want to stay far away from this movie, which is certainly one of the sleaziest that I've seen. It's not that the film is overly graphic but exploiting a subject matter like this is going to raise a few eyes and there's enough over-the-top moments here to make fans of the genre happy. We get outrageous dialogue between the hookers and their clients, silly cat fights between the woman, a drug dealer getting beat up by two men on motorcycles, the drunk mother wanting her daughter to sleep with her boyfriend so that he'll stick around and all of this happens in the first twenty-minutes! The sleaze level is pretty high from start to finish as the main reason for this movie being around is so that various women can take their clothes off. Glass does a pretty good job in her role as she manages to handle the sleaze as well as the more serious moments that the film offers. She was apparently twenty-years-old when this was released but her body looks much younger and this here really adds to the creepy nature of the subject matter. The supporting cast are the types you'd expect to see in something like this and that includes the really bad dubbing. The 84-minute running time gets to feel a bit long after the first hour due in large part to the movie turning way too serious in the second half. I'm not sure about others but I hate when an exploitation film tries to switch gears and put across some sort of message. Another problem is that the story itself is so choppy that it just seems to bounce from one situation to the next without too much thought or reason. Bruno Mattei was in charge of editing and some might think this is the reason for the film being so choppy but I'd guess it had more to do with the screenplay not offering more. So, in the end, if you're a fan of Euro-sleaze then eat up as this here offers enough for two movies.
** 1/2 (out of 4)
Italian trash is pretty much a remake of CHRISTIANE F. Teenager Hanna (Ann-Gisel Glass) shows old men her body for some quick cash but after hitting the streets to get away from her alcoholic mother, she soon finds herself with an even bigger creep who gets her hooked on heroin and forcing her into prostitution. If you shy away from trash that takes a serious subject and exploits it just to show off some T&A then you'll certainly want to stay far away from this movie, which is certainly one of the sleaziest that I've seen. It's not that the film is overly graphic but exploiting a subject matter like this is going to raise a few eyes and there's enough over-the-top moments here to make fans of the genre happy. We get outrageous dialogue between the hookers and their clients, silly cat fights between the woman, a drug dealer getting beat up by two men on motorcycles, the drunk mother wanting her daughter to sleep with her boyfriend so that he'll stick around and all of this happens in the first twenty-minutes! The sleaze level is pretty high from start to finish as the main reason for this movie being around is so that various women can take their clothes off. Glass does a pretty good job in her role as she manages to handle the sleaze as well as the more serious moments that the film offers. She was apparently twenty-years-old when this was released but her body looks much younger and this here really adds to the creepy nature of the subject matter. The supporting cast are the types you'd expect to see in something like this and that includes the really bad dubbing. The 84-minute running time gets to feel a bit long after the first hour due in large part to the movie turning way too serious in the second half. I'm not sure about others but I hate when an exploitation film tries to switch gears and put across some sort of message. Another problem is that the story itself is so choppy that it just seems to bounce from one situation to the next without too much thought or reason. Bruno Mattei was in charge of editing and some might think this is the reason for the film being so choppy but I'd guess it had more to do with the screenplay not offering more. So, in the end, if you're a fan of Euro-sleaze then eat up as this here offers enough for two movies.