This genre usually gives rise to somewhat standard expectations, with great action as the top, if not the only, priority. This is particularly so in the case when you have the best, Donnie Yen. And yet, while Yan has never let his loyal followers down, including this time, the climatic duel in this movie is with Kate Tsui (as Tuo Tuo, a deadly Amazon and a daughter of an ambitious warlord), generally recognized as the most promising in the talent department among the crop of young actresses, but not by any stretch of imagination an action star remotely in the league of Yen. Top-notch action direction and earnest effort on the part of the young lady helps, but this is clearly not one of the "exceeds expectation" items in my summary line. But then, almost everything else is.
With the proliferation of martial art action movies in recent years, you need to have new selling points to make a movie of this genre stand out. This one has not just one, but a few. The title devise, the 14 blades, is one. As explained at the very beginning (so don't be late), the arsenals of the Jin Yi Wei ("glamorously apparelled guards" - see below) comprises various gadgets stored in a box not unlike one in which you carry roses on Valentine's Day. The content, however, is like something that Batman would have commissioned Q to design (had he been acquainted with the gentleman). Be rest assured that these gadgets have ample opportunities to entertain your throughout the movie. Tuo Tuo's arsenal is another. Her weapon is a crossover of a whip and a blade, and wickedly clever camera work makes sure that she wields it with equally deadly efficiency. True, this is more like the ultra cool poses that Johnny To used for pistols in his classic "The mission" (1999 – "Cheung Fo"), but it's just as fun to watch. But topping even that is her layered silk-like garments that she sheds, right in the middle of a fight, as decoys to distract weapons as she circles her opponents like a whirlwind. And she completes the circle by slipping back into these layers of her garments, by which time the opponent is usually dead with his throat slashed. If that is not exotic, I don't know what is. One further addition of these exotic collections is bandit-turned-Robin-Hood, desert bandit chief Judge's joined curved blades that looks like a propeller and works like a boomerang. You can imagine how highly entertaining it is to watch a duel between any pair of these three (and you'll see them all). By the way, I've got to say this: I'm almost certain that the director wrote to Johnny Depp to borrow his costumes from "Pirates of the Caribbean" for his character Judge.
Still on the "hardware" aspects of the movie, the exotic set pieces and desert landscape are something that you may perhaps see in similar movies, but not as meticulously designed and beautifully shot. On the "software" side, there is a serviceable plot, essentially surrounding an imperial seal which will cause tragic bloodsheds if fell into the hands of an ambitious warlord. The middle section of the movie on the chase and hunt, tracking and dodging looks very much like a retro western, and is equally enjoyable.
The woe of the Jin Yi Wei is well depicted: imperial effective killing machines recruited from orphans, following orders without any moral qualms. Donnie, whose acting ability is beginning to catch up with his top-notch action skills, portrays such a one, who finds himself in an agonizing dilemma when his conscience is awaken. Lovely Vicki Zhao is perfect as the determined daughter trying to be the son of a father whose business of express delivery of treasured items is declining. The movie takes attentive pain if developing these two main characters and the romance between them. It pays off as a convincing story, with due credit to good acting from Yan and Zhao.
All told, this movie offers exciting action, rich details, interesting characters and appealing visuals and, something that I haven't mentioned, excellent sound editing and mixing. Can't remember in my recent cinematic experience of this genre that has quite kept my attention continuously for 2 full hours.
With the proliferation of martial art action movies in recent years, you need to have new selling points to make a movie of this genre stand out. This one has not just one, but a few. The title devise, the 14 blades, is one. As explained at the very beginning (so don't be late), the arsenals of the Jin Yi Wei ("glamorously apparelled guards" - see below) comprises various gadgets stored in a box not unlike one in which you carry roses on Valentine's Day. The content, however, is like something that Batman would have commissioned Q to design (had he been acquainted with the gentleman). Be rest assured that these gadgets have ample opportunities to entertain your throughout the movie. Tuo Tuo's arsenal is another. Her weapon is a crossover of a whip and a blade, and wickedly clever camera work makes sure that she wields it with equally deadly efficiency. True, this is more like the ultra cool poses that Johnny To used for pistols in his classic "The mission" (1999 – "Cheung Fo"), but it's just as fun to watch. But topping even that is her layered silk-like garments that she sheds, right in the middle of a fight, as decoys to distract weapons as she circles her opponents like a whirlwind. And she completes the circle by slipping back into these layers of her garments, by which time the opponent is usually dead with his throat slashed. If that is not exotic, I don't know what is. One further addition of these exotic collections is bandit-turned-Robin-Hood, desert bandit chief Judge's joined curved blades that looks like a propeller and works like a boomerang. You can imagine how highly entertaining it is to watch a duel between any pair of these three (and you'll see them all). By the way, I've got to say this: I'm almost certain that the director wrote to Johnny Depp to borrow his costumes from "Pirates of the Caribbean" for his character Judge.
Still on the "hardware" aspects of the movie, the exotic set pieces and desert landscape are something that you may perhaps see in similar movies, but not as meticulously designed and beautifully shot. On the "software" side, there is a serviceable plot, essentially surrounding an imperial seal which will cause tragic bloodsheds if fell into the hands of an ambitious warlord. The middle section of the movie on the chase and hunt, tracking and dodging looks very much like a retro western, and is equally enjoyable.
The woe of the Jin Yi Wei is well depicted: imperial effective killing machines recruited from orphans, following orders without any moral qualms. Donnie, whose acting ability is beginning to catch up with his top-notch action skills, portrays such a one, who finds himself in an agonizing dilemma when his conscience is awaken. Lovely Vicki Zhao is perfect as the determined daughter trying to be the son of a father whose business of express delivery of treasured items is declining. The movie takes attentive pain if developing these two main characters and the romance between them. It pays off as a convincing story, with due credit to good acting from Yan and Zhao.
All told, this movie offers exciting action, rich details, interesting characters and appealing visuals and, something that I haven't mentioned, excellent sound editing and mixing. Can't remember in my recent cinematic experience of this genre that has quite kept my attention continuously for 2 full hours.