Lina Romay plays the "Rolls-Royce Baby", an irresistible Erotic Diva who rides around in -you guessed it- a Rolls-Royce in search for simulated sex with strangers. She is chauffeured by the great and multi-talented Eric Falk ("Barbed Wire Dolls"), a staple in Edwin C. Dietrich's line of bland-yet-intriguing "erotic" flicks. Here Falk sets aside his usual role as verbal abuser and whipper of female prison inmates to showcase his tender side, his furious nude karate technique, and his ability to drive a Rolls-Royce extremely slowly through the Swiss countryside.
Like in "Gefangene Frauen" AKA "Island Women", Dietrich's sense of light and color adds visual appeal to a fairly dull storyline, which makes this film almost watchable. Another plus is that the film adheres strictly to Dietrich's 10 second rule, which dictates that no more than 10 seconds shall pass without on-screen nudity, preferably in the form of close-ups of female pubes. Yet despite the undeniable effectiveness of these techniques, "Rolls-Royce Baby" starts to fall apart after only twenty minutes, thanks to the complete absence of anything resembling a plot.
It's fair to say that this film doesn't qualify as good by virtually any standards, including prurient ones. Falk almost saves the day with his atrocious performance and spectacular martial arts displays, but doesn't overcome the meandering, repetitive "plot" that eventually calls for the fast-forward button. It's probably best to stay away from this film.
Like in "Gefangene Frauen" AKA "Island Women", Dietrich's sense of light and color adds visual appeal to a fairly dull storyline, which makes this film almost watchable. Another plus is that the film adheres strictly to Dietrich's 10 second rule, which dictates that no more than 10 seconds shall pass without on-screen nudity, preferably in the form of close-ups of female pubes. Yet despite the undeniable effectiveness of these techniques, "Rolls-Royce Baby" starts to fall apart after only twenty minutes, thanks to the complete absence of anything resembling a plot.
It's fair to say that this film doesn't qualify as good by virtually any standards, including prurient ones. Falk almost saves the day with his atrocious performance and spectacular martial arts displays, but doesn't overcome the meandering, repetitive "plot" that eventually calls for the fast-forward button. It's probably best to stay away from this film.