7/10
Dark sci-fi delivers chills and endless bickering
2 January 2010
After two space prisoners crash their aircraft in the desert, they enter an underground hallucinatory bunker under orders from a company willing to knock time off their sentences upon completion of a mysterious mission. Ultra indie sci-fi effort squeezes every last penny from its wallet, AE and available warehouse sets to convincingly portray a beautiful/ugly fantasy world. The film relies heavily upon its two leads (Wild Dogs alumni Aaron Stielstra and Brendan Murphy) who endlessly bicker and whine much more than your average space detention criminals, but add a level of professional that clashes with some of the sillier plot elements that later enter the picture. Which is part of the problem. The film's first act is so good and gritty it's like a Don Siegel program with nomads and Mad Max action, including a documentary-lite space shootout complete with bo staff needles and other crap I can't even explain. The story soon takes a more whimsical sci-fi turn with the heroes walking around and talking in set after CG set, which admittingly look good, but bring the pacing to a grinding halt. Some other mumbo jumbo, inner and physical demons appear but can't do much to elevate the already sloggy second act, further compromised by a weak Slayer character and it's decision to drop the second male lead from the plot (only to later appear in a dynamite return). But even if the monsters and demon children threaten the established dark tone, they are appropriately gooey, atrocious, and most importantly, scary. Visuals are as good as they can get from a DVX100 with lots of balanced lighting, pleasing widescreen compositions and stark contrast, all accompanied with a decent score. Perhaps some more cutting all around would help things, but as it stands, a highly recommended and enjoyable effort. 7/10
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