Straight, Place & Show was not one of the Ritz's better films for 20th Century Fox. Those were Life Begins in College, Kentucky Moonshine, Three Musketeers, as well as their outings with Alice Faye: On the Avenue and You Can't Have Everything. But Straight, Place & Show was acceptable despite the woefully low budget. The film editor and the director seem not to have talked to each other; the film looks choppy. The screenplay was adapted from a play written by Dmon Runyon (think Guys & Dolls) and Irving Caesar, but the only Runyonesque characters we meet are characters played by Sid Fields, Stanley Fields and Ben Weldon. Wiile Best is wasted.Even the Ritzes are cut down to two specialty numbers. But they do their best, as does Ethel Merman in crystalline voice. Phyllis Brooks tries to put life into her role. If it were not for the Ritz Brothers and Merman, I'd say pass on this film. But because of La Merman and Al, Jimmy & Harry Ritz, it is worth a look and will provide some chuckles. Yeah, yeah. You either love'em or hate 'em. But to call the Ritz Brothers untalented, as a previous reviewer did, is ridiculous. They were expert precision dancers and could sing as well as do physical and verbal comedy. By the 1940s many budding comedians (Jerry Lewis, Sid Caesar, Mel Brooks)were heavily influenced by the Ritz Brothers' zaniness.