Don't get me wrong, I love Harold Lloyd - both his talkies and silents. However, "Welcome Danger" was a real disappointment. It was Lloyd's first talking picture, started as a silent. When he finished he realized that sound had "arrived" and reshot it as a talking picture.
The awkwardness of the picture is no worse than any other early sound film, but the big problem is Harold's persona. As usual, he is the eager beaver trying to make good, but for some reason he makes his character out to be one of the most annoying personalities in film history. He is outright mean to people who really don't deserve it.
Lloyd plays Harold Bledsoe, a college student studying botany. His father is chief of police in San Francisco. After his father dies, Harold returns home to help the force with a crime wave in Chinatown. However, he becomes fascinated with fingerprint technology and soon has the department tied in knots with all of his cataloguing and fingerprinting. Soon the police department that welcomed him so heartily would do anything to get him out of their collective hair.
It is a shame this isn't on DVD because it is not THAT bad, and it is an important milestone in cinema history since it was Lloyd's very first talking picture. "Feet First" was his second talking effort, and a much better film too. One of the real treats of this film is an unbilled appearance by Edgar Kennedy as a desk sergeant in the San Francisco police department. He spends a long time on screen for him to have no credit whatsoever, but he does a wonderful job of playing the irascible beat cop we see in his later films.
The awkwardness of the picture is no worse than any other early sound film, but the big problem is Harold's persona. As usual, he is the eager beaver trying to make good, but for some reason he makes his character out to be one of the most annoying personalities in film history. He is outright mean to people who really don't deserve it.
Lloyd plays Harold Bledsoe, a college student studying botany. His father is chief of police in San Francisco. After his father dies, Harold returns home to help the force with a crime wave in Chinatown. However, he becomes fascinated with fingerprint technology and soon has the department tied in knots with all of his cataloguing and fingerprinting. Soon the police department that welcomed him so heartily would do anything to get him out of their collective hair.
It is a shame this isn't on DVD because it is not THAT bad, and it is an important milestone in cinema history since it was Lloyd's very first talking picture. "Feet First" was his second talking effort, and a much better film too. One of the real treats of this film is an unbilled appearance by Edgar Kennedy as a desk sergeant in the San Francisco police department. He spends a long time on screen for him to have no credit whatsoever, but he does a wonderful job of playing the irascible beat cop we see in his later films.