"In Drei Tagen Bist Du Tot" (2006) is an excellent slasher movie from Austria, a land that has, since the silent time, proved to deliver constantly world-class movies like no other German speaking land did. To whoever does not believe that, I highly recommend the "Hoanzl" collection with several hundreds of region-free available DVDs amongst which you will even find early Mihaly Kertesz = Michael Curtiz movies amongst other classics about which the non-European audience can just dream.
"In Drei Tagen Bist Du Tot" is remarkable in many respects: First, it is the first Austrian slasher movie. Second, practically all actors have never acted before. Third, the budged was 2 millions of Euros for which in Hollywood one would not even take a camera out of its closet. Third, the whole movie is spoken in Salzkammer dialect and, as usual in Europe, filmed In Loco. (On the contrary, in Hollywood movies it is usual nowadays that the beginning is filmed in Utah, the main part in Rumania, and the end in Canada.) In 2007, "In Drei Tagen Bist Du Tot" got amazingly the Austrian film price, the now so-called "Austrian Ticket" which was given before, in 1996, to Vilsmaier's "Schlafes Bruder". I also welcome this movie because Horror has a very small tradition in European film-making. While the Swiss film De Facto died with Kurt Früh in 1979 and the German film with Fassbinder in 1982, our whole hope stays with Austria.
"In Drei Tagen Bist Du Tot" is remarkable in many respects: First, it is the first Austrian slasher movie. Second, practically all actors have never acted before. Third, the budged was 2 millions of Euros for which in Hollywood one would not even take a camera out of its closet. Third, the whole movie is spoken in Salzkammer dialect and, as usual in Europe, filmed In Loco. (On the contrary, in Hollywood movies it is usual nowadays that the beginning is filmed in Utah, the main part in Rumania, and the end in Canada.) In 2007, "In Drei Tagen Bist Du Tot" got amazingly the Austrian film price, the now so-called "Austrian Ticket" which was given before, in 1996, to Vilsmaier's "Schlafes Bruder". I also welcome this movie because Horror has a very small tradition in European film-making. While the Swiss film De Facto died with Kurt Früh in 1979 and the German film with Fassbinder in 1982, our whole hope stays with Austria.