7/10
The Albanian
15 August 2009
Warning: Spoilers
The Dardenne brothers, those impressive Belgian filmmakers, are at it again. This is a sort of a departure for them, although their keen insight about people of a certain status has been shown before, perhaps with better results. As it's their style, the film is devoid of music. Their camera has a way to offer the viewer an insight on the character he is seeing on the screen. Make no mistake, Luc and Jean-Pierre Dardenne are at the top of their profession by presenting films that no one else would dare to show, and above all, they make the viewer get another take of life, the way they see it.

That said, "Le silence de Lorna" takes us to meet people that are so completely different, yet, not because of that, they don't feel real, on the contrary. The situation at hand involves a young Albanian woman, Lorna, who has married Claudy, a Belgian drug addict in order to get the citizenship papers. It is obvious their arrangement was purely a monetary one. Lorna, who has an Albanian boyfriend, Sokol, hangs out with the wrong crowd in Liege. Her association with them will not end happily.

Lorna's connection, the reptile Fabio and his underling Spirou pressure Lorna into marrying a Russian mafia bigwig so that he can get the Belgian passport. Lorna, like so many other immigrants, wants to save her money to open a small snack bar with Sokol. She is sidetracked by what Fabio wants her to do. In fact, Lorna is torn between trying to save Claudy, who faces a possible death, and get her dreams come true.

The film owes a lot to Arta Dobroshi, a dark haired beauty who is at the center of the story. Jeremie Renier, who has done wonderful turns for the director-brothers is seen as drug addict, Claudy. Fabio Rongione appears as Fabio.

We look forward to the brothers' next venture because their films always leaves the viewer richer knowing first hand about real people.
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