Lou Diamond Phillips and Rae Dawn Chong, two players known for three names, star in this Canadian production about a woman fleeing from her abusive husband and winding up on the mean streets of Toronto. But neither Lou or Rae is playing that part. Oh come now, Lou Diamond Phillips did do drag in Hollywood Homicide.
Kari Wuhrer plays that part the abused woman fleeing from a real loser of a husband in Joel Bissonette. But before long after she arrives in Toronto, Kari's got reason to think about that old saying concerning the devil you know. She makes the acquaintance of prostitute Rae Dawn Chong who is a street prostitute and pretty soon she'll be required to join the stable of pimp Lou Diamond Phillips. He's far worse than the wife beating husband she fled from.
The saving grace is her relationship with Chong as the two of them discover they've got more feelings for each other than the abusive men they've known.
In fact other than Toronto cop Lance Henriksen the men in this film are one scurvy sampling of the species.
The players all do fine in their roles, especially Phillips who has done the dark side in a few of his movies. Lou was never darker in any film however than he is in Boulevard.
I'd like to say that Boulevard was a serious film about lesbianism because Chong and Wuhrer are a touching couple. But this is a movie that will be far better appreciated at Hooters than at any women's film festival.
Kari Wuhrer plays that part the abused woman fleeing from a real loser of a husband in Joel Bissonette. But before long after she arrives in Toronto, Kari's got reason to think about that old saying concerning the devil you know. She makes the acquaintance of prostitute Rae Dawn Chong who is a street prostitute and pretty soon she'll be required to join the stable of pimp Lou Diamond Phillips. He's far worse than the wife beating husband she fled from.
The saving grace is her relationship with Chong as the two of them discover they've got more feelings for each other than the abusive men they've known.
In fact other than Toronto cop Lance Henriksen the men in this film are one scurvy sampling of the species.
The players all do fine in their roles, especially Phillips who has done the dark side in a few of his movies. Lou was never darker in any film however than he is in Boulevard.
I'd like to say that Boulevard was a serious film about lesbianism because Chong and Wuhrer are a touching couple. But this is a movie that will be far better appreciated at Hooters than at any women's film festival.