I have to disagree with Thomas Krueger's great review on one point: Luzi Kryn seems to be well aware of the camera, since she permanently stares right into it! This is the ultimate trash movie; I would recommend it only to people with a good sense of humor. If you like Ed Wood or, even more appropriate, the work of William "One-Shot" Beaudine, this is the flick you simply have to see.
Rosa von Praunheim's "masterpiece" features arguably the poorest acting and camera work, the strangest soundtrack (just one piece of music, lasting for about 15 seconds!), the worst props (easily outdoing even Ed Wood's movies) and the weirdest kidnapping scene ever put on celluloid, with possibly the most awkward noises ever heard in a cinema, courtesy, again, by the ultra-non-talented Luzi Kryn. But let's not forget Luzi's love interest Dietmar Kracht's amazing performance, especially in the later stages of the movie, when he arrives to rescue Luzi from his former friends (one of them apparently U.S.-born, whose lines are an odd mix of English and German), fittingly wearing a cape.
Even if you do not speak or understand German, you should be able to enjoy this wonderfully absurd piece of comedy, although Dietmar's over-the-top Mannheim accent delivers a few more highlights only people who are familiar with German idioms (he sounds like a very slow and distraught version of Boris Becker) might comprehend.
Rosa von Praunheim's "masterpiece" features arguably the poorest acting and camera work, the strangest soundtrack (just one piece of music, lasting for about 15 seconds!), the worst props (easily outdoing even Ed Wood's movies) and the weirdest kidnapping scene ever put on celluloid, with possibly the most awkward noises ever heard in a cinema, courtesy, again, by the ultra-non-talented Luzi Kryn. But let's not forget Luzi's love interest Dietmar Kracht's amazing performance, especially in the later stages of the movie, when he arrives to rescue Luzi from his former friends (one of them apparently U.S.-born, whose lines are an odd mix of English and German), fittingly wearing a cape.
Even if you do not speak or understand German, you should be able to enjoy this wonderfully absurd piece of comedy, although Dietmar's over-the-top Mannheim accent delivers a few more highlights only people who are familiar with German idioms (he sounds like a very slow and distraught version of Boris Becker) might comprehend.