This early British comedy is fairly entertaining on first viewing but doesn't hold up well to scrutiny upon repeated screenings. That's not really a criticism of the film itself as the state of the nascent industry back in 1903. Films were still fairly primitive, the idea that they might tell a narrative instead of simply capturing glimpses of real life still a new one.
Influential Brighton filmmaker George Albert Smith brings plenty of tricks and innovative ideas to this tale of a dotty housemaid (played by his wife) who manages to blow herself up by lighting the kitchen stove with paraffin before returning from the grave to frighten passers-by.
Smith combines long, medium and close shots to tell his tale which looks at first like a variety act before the 'mishap' sparks a quick succession of camera trickery that moves the story onto a supernatural aspect.
Influential Brighton filmmaker George Albert Smith brings plenty of tricks and innovative ideas to this tale of a dotty housemaid (played by his wife) who manages to blow herself up by lighting the kitchen stove with paraffin before returning from the grave to frighten passers-by.
Smith combines long, medium and close shots to tell his tale which looks at first like a variety act before the 'mishap' sparks a quick succession of camera trickery that moves the story onto a supernatural aspect.