The plot line is an expose of the under belly of American politics. While the theme seems common, what "makes" the movie is the unconventional way the story is told.
The characters are played with conviction. You feel the innocence of the lead, and his innocence lost. The politician is the prince of double-talk, a real snake.
The camera work is impressive. It affirms the nuances of the acting and dialogue. Ditto for the music.
The story uses a parable-style with vingettes where the message is filled with double-entendres. A very canny strategy by the writer/director. The tension in the storyline is carried through to the last scenes.
The movie was like a good mystery book. Something was "afoot"; you knew it was bad; you didn't know exactly what it could be - you had your suspicions; and when the evil was revealed you let out your breath you hadn't noticed you were holding in. Saddened, shaking your head.
A story well written and well told. 3 cheers to a young writer/director.
The characters are played with conviction. You feel the innocence of the lead, and his innocence lost. The politician is the prince of double-talk, a real snake.
The camera work is impressive. It affirms the nuances of the acting and dialogue. Ditto for the music.
The story uses a parable-style with vingettes where the message is filled with double-entendres. A very canny strategy by the writer/director. The tension in the storyline is carried through to the last scenes.
The movie was like a good mystery book. Something was "afoot"; you knew it was bad; you didn't know exactly what it could be - you had your suspicions; and when the evil was revealed you let out your breath you hadn't noticed you were holding in. Saddened, shaking your head.
A story well written and well told. 3 cheers to a young writer/director.