During my time working in Hollywood, this was the one made for television movie I worked on. I was the post-production supervisor. I had worked for Helios Productions with Brad Wigor and Joe Maurer several times on CBS Schoolbreak specials and they had asked me to take this job on, manning the office in Beverly Hills while they were on location in Atlanta where the film was shot.
The film was edited entirely on film, only going to tape later from the finished print. The old film editing style was quickly being replaced by tape and computers so this was a thrill to work one last time on film.
One of my memories from this film include being assigned to coordinate a meeting in New York between Howard Rollins and producer Brad Wigor. We really wanted Howard to take the part of the bad cop but he was not sure if he wanted to take it. I remember getting Howard on the phone on the day that he had learned of a close friends death. He was very upset. He talked and I listened for a good long while. I'll never forget his voice and the fear he had. In the end, the meeting was arranged and Howard took the part. He was an excellent actor and really turned in a fine performance in this film.
I also cherish meeting both Ronny Cox and Elizabeth Montgomery during the ADR sessions. Ronny had just made an album in Nashville of country music. As a fellow musician, we talked about music and my planned relocation to Nashville. Ms. Montgomery was a class act. She arrived early for her session and she and I had a nice chat in the studio while we waited for the session to begin. I was thrilled to meet her and will never forget her interest and kindness.
As a final footnote, this idea was brought to Helios by our production secretary Joannie Cuff. She had grown up in the Buffalo, NY area and knew of the story. Brad and Joe secured the rights and the movie was made. Joannie was given the well deserved title of Associate Producer for her efforts.
Michael Killen
The film was edited entirely on film, only going to tape later from the finished print. The old film editing style was quickly being replaced by tape and computers so this was a thrill to work one last time on film.
One of my memories from this film include being assigned to coordinate a meeting in New York between Howard Rollins and producer Brad Wigor. We really wanted Howard to take the part of the bad cop but he was not sure if he wanted to take it. I remember getting Howard on the phone on the day that he had learned of a close friends death. He was very upset. He talked and I listened for a good long while. I'll never forget his voice and the fear he had. In the end, the meeting was arranged and Howard took the part. He was an excellent actor and really turned in a fine performance in this film.
I also cherish meeting both Ronny Cox and Elizabeth Montgomery during the ADR sessions. Ronny had just made an album in Nashville of country music. As a fellow musician, we talked about music and my planned relocation to Nashville. Ms. Montgomery was a class act. She arrived early for her session and she and I had a nice chat in the studio while we waited for the session to begin. I was thrilled to meet her and will never forget her interest and kindness.
As a final footnote, this idea was brought to Helios by our production secretary Joannie Cuff. She had grown up in the Buffalo, NY area and knew of the story. Brad and Joe secured the rights and the movie was made. Joannie was given the well deserved title of Associate Producer for her efforts.
Michael Killen