Some Lifetime flicks drag in spots - this one does - but "Crimes of Passion" is more fascinating, overall, than most, and does provide serpentine twists at the conclusion. These, and decent performances by the four primary characters, make it worth watching through to the end, despite some occasional convoluted plot developments and the above-mentioned "drag."
One of the two primary leads, Jonathan Higgins, could be called "a poor man's Nicolas Cage." He bears resemblance to the latter, and Nicholas is often low-key and a bit off-center in his characterizations, as is Higgins, but with just a proportion of Cage's talent, and none of his charisma. He's also not in the best of mental health, and throughout (especially when attempting to reach his out-of-town shrink towards the end), seems like what "Monk" might be, were he to engage in criminality (but sans Tony Shalhoub's personality and talent level).
**** Spoiler following ****
I would add this to conform to this site's requirements, and this might perhaps provide information as to the ending -- however, I don't believe it would really "spoil" it, and might serve to encourage some who might change channels to watch to conclusion.
Married leads "A" and "B" are splitting-up; she appears at times during the opus to claim her needed stipends from hubby, and they banter nervously and loudly throughout. But "A" has conspired with the winsome "C," to gain a large wad of cash, however, unfortunately, professional investigator "D" has knowledge of their deed and windfall, and wants a major cut.
But ----- "C" is really in cahoots with "D," and, near the climax, this is revealed to "A." In the ensuing tussle, "D" if offed, and then, as "A" and "C" are about to have some sort of showdown, all of a sudden "B" appears at the remote locale. She's the only one not preciously involved in the nefarious activities, but she possesses the means to dispatch "C" forthwith.
At this point "A" is dangling from the edge of a deck, high above-ground (from which "D" previously fell to his demise). So there now remains only the original couple ("A"/"B"), divorce still only pending, with him needing her assistance, or he'll fall to his demise alongside "D."
Scene dissolves to "B" being questioned, alone, and exonerated at police station. The only "innocent" heretofore in this opus, she walks freely from the station, opens the trunk of her vehicle. Guess what she views in the satchel firmly stored in the trunk.
One of the two primary leads, Jonathan Higgins, could be called "a poor man's Nicolas Cage." He bears resemblance to the latter, and Nicholas is often low-key and a bit off-center in his characterizations, as is Higgins, but with just a proportion of Cage's talent, and none of his charisma. He's also not in the best of mental health, and throughout (especially when attempting to reach his out-of-town shrink towards the end), seems like what "Monk" might be, were he to engage in criminality (but sans Tony Shalhoub's personality and talent level).
**** Spoiler following ****
I would add this to conform to this site's requirements, and this might perhaps provide information as to the ending -- however, I don't believe it would really "spoil" it, and might serve to encourage some who might change channels to watch to conclusion.
Married leads "A" and "B" are splitting-up; she appears at times during the opus to claim her needed stipends from hubby, and they banter nervously and loudly throughout. But "A" has conspired with the winsome "C," to gain a large wad of cash, however, unfortunately, professional investigator "D" has knowledge of their deed and windfall, and wants a major cut.
But ----- "C" is really in cahoots with "D," and, near the climax, this is revealed to "A." In the ensuing tussle, "D" if offed, and then, as "A" and "C" are about to have some sort of showdown, all of a sudden "B" appears at the remote locale. She's the only one not preciously involved in the nefarious activities, but she possesses the means to dispatch "C" forthwith.
At this point "A" is dangling from the edge of a deck, high above-ground (from which "D" previously fell to his demise). So there now remains only the original couple ("A"/"B"), divorce still only pending, with him needing her assistance, or he'll fall to his demise alongside "D."
Scene dissolves to "B" being questioned, alone, and exonerated at police station. The only "innocent" heretofore in this opus, she walks freely from the station, opens the trunk of her vehicle. Guess what she views in the satchel firmly stored in the trunk.