Tortilla Flat (1942)
7/10
Steinbeck's Latinos
13 April 2008
Warning: Spoilers
There is no denying that the man who gave us THE GRAPES OF WRATH, OF MICE AND MEN, and EAST OF EDEN is a major literary figure - one of the handful of American literary figures to win the Nobel Prize for Literature. But John Steinbeck was also a man of his time and some of his time is hard to swallow. This is particularly when dealing with his novels and stories dealing with Latin-Americans in California. A man raised in the early 20th Century, his views of Latinos is rather heavily into stereotypes. That he could develop character despite the stereotypes was a sign of his abilities as a fine writer...but those stereotypes remain as a stigma today.

In TORTILLA FLAT Steinbeck looks at life among a set of Latinos in Salinas, California. The central figure is Pilon (Spencer Tracy) who is a happy - go - lucky type, without any interest in life but what pleasure (food, partying, girls, booze) he can get out of it. But he does not like to work. Nor do his pals Pablo (Akim Tamiroff), Tito (Sheldon Leonard), Jose (John Qualen), and Daniel (John Garfield). But then Daniel learns his uncle died and left him two houses. He suddenly changes a little (he is a property owner) but that is soon dented when Pilon reminds him they are pals and he owes them a share of his good fortune. Somewhat unsettled by this, he does agree to letting the four freeloaders use the other house. The wisdom of this action is shown when they gradually let the nice little house go to ruin, ending with them accidentally burning it down (Pilon just smiles and shrugs his shoulders at this).

Meanwhile Daniel meets Dolores Ramirez (Hedy Lamarr), a young woman who works in the local fish cannery. Daniel starts changing his whole views on life by his desire to woo Dolores - she feels her husband has to be a hard working man to win her respect. But Pilon and the others resent this hold Dolores has on Daniel. Pilon in particular tries to break up the love affair, but only manages to make his friendship with Daniel get strained.

Daniel now has a job too at the cannery, but the others are still gainfully unemployed. Pilon decides that he and the others can rob "the Pirate" (Frank Morgan) a lonely eccentric. The best scenes in the film deal with Morgan, who turns out to be a touching old man who loves his pets and is saving his money for a religious offering for them.

I won't go into the rest of the plot (which shows that Pilon can be a real friend too when he wants to be). Again it is well acted, although Tracy is reusing his "Spanish" accent that he used as Manuel in CAPTAIN'S COURAGEOUS, and would use again in THE OLD MAN AND THE SEA. Lamarr and Garfield actually display some chemistry together to heat up their scenes. Garfield too is slightly reusing a previous accent - his "Porfirio Diaz" voice in JUAREZ toned down a little. Actually if it wasn't for the performances (particularly Morgan's) the film would only have the character development shown by Tracy and Garfield. But the weakness of the stereotypes makes this film a difficult one to swallow. So I can only give it a "7" out of "10".
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