5/10
None So Blind, None So Bland
3 February 2008
Warning: Spoilers
Travelling by train to Cornwall to shoot location footage Stewart Granger shared a carriage with director Leslie Arliss who asked casually what Granger thought of the script. Unaware that Arliss had a co-writer credit Granger replied succinctly 'crap'. I have little time for Granger as an actor, finding him both smug and wooden but I can't fault his critical faculties, or at least not in this case. Someone involved in the writing had clearly been blown away by One-Way Passage and thought they could do just as well. Boy, did they get a wrong number and it wasn't Cornish Rhapsody. For the record One-Way Passage featured a doomed shipboard romance between two people returning by sea to America, she to die of an incurable disease, he to be executed. The perpetrators of Love Story give us a terminally ill Margaret Lockwood opting to spend her last few months in Cornwall where she meets soon-to-be-blind Stewart Granger neither, of course, revealing the truth to the other. Tom Walls and Patricia Roc are also along for the ride and acquit themselves as well as can be expected under the circumstances. It was probably designed as escapist fodder |(it was produced in 1944) but ironically it is the audience who seek freedom.
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