7/10
Not as black as it's painted...
10 October 2007
Warning: Spoilers
I hadn't watched this one for years. So despondent was I with my own vague memories and subsequent negative reviews that I more or less consigned the film to the scrap heap. However, I caught part of it on ITV4 a few weeks ago and thought 'I wouldn't mind watching that'. Remembering that I had the DVD as part of a box set I settled down recently and prepared myself for what many people consider to be not only the worst of the Hammer Frankensteins, but one of their worst films generally and found my opinions, whilst not totally blown out of the water, were to change considerably. Inevitably the lack of Terence Fisher and Peter Cushing takes its toll; one only need compare 'The Evil of Frankenstein' (1964) directed by Freddie Francis to the others in Hammer's canon to realise just how much Fisher brought to the Frankenstein movie sub genre, and it was once said of Peter Cushing that he could have been the next Olivier. Despite these apparent shortcomings, the director, Jimmy Sangster, does manage to adhere here and there to accepted Hammeresque aspects and does include a couple of nice scenes; there's an almost fairy tale quality to the scene of the monster lumbering towards the woodsman's cottage and, although the majority of direction is pedestrian at best, there is the occasional flourish that suggests Sangster at least had the ability to do better. Ralph Bates does a good job in his role as the young Baron Frankenstein; the fact that so many people have described how pompous, spoilt, cold and unpleasant he is providing proof of the quality of his performance and the juxtaposition between his utter contempt for human life, a contempt that leads him to murder several people, including his father thereby killing off the old values for good, and his goal of creating life is quite well considered. Dave Prowse, who played the strongman in 'Vampire Circus' (1970) and a far more sympathetic monster in 'Frankenstein and the Monster From Hell' (1973) has little to do other than lumber around killing or threatening people but there is no denying that his is a physically intimidating creature that you really wouldn't want to come across while walking through the woods. Despite the lack of 'monster' makeup I actually found the design interesting and felt it suited this particular variation on the Frankenstein myth, perceiving the monster as a deeply psychotic extension of the Baron's already disturbed personality. Kate O'Mara is very convincing as the conniving Alys. Physically she reminds me of Nell Quick in James Herbert's excellent novel 'Once' and Veronica Carlson does her best with a fairly weakly written role. The next acting honours must go to Denis Price as the grave robber and Joan Rice as his downtrodden wife. I was, I suppose, surprised at how tame this movie was. Given the strength and gore quotient in the same year's 'Scars of Dracula', it would have seemed obvious to extend the gore factor in this one; there is very little horror in 'The Horror of Frankenstein' beyond the horror of what humans are capable enough if they are driven in the way Frankenstein appears to be here. All in all though, 'The Horror of Frankenstein' is a fairly intriguing relic; a reminder of a time before cinema audiences were so completely desensitised that they need shock after shock to sustain their interest and an unusual, if watered down, echo of Hammer's prior greatness.
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