PENNY SINGLETON gets top billing in this diverting little programmer made at the height of her fame as "Blondie". This film, directed by the same man who did that series, has Singleton in her "Blondie" mode, as a prim and proper but ditsy blonde who acquits herself well when Indians are shooting at the carriage she's riding in during the opening scene.
She's so prim and proper that she refuses to even engage in conversation with the man sitting opposite her in the coach--GLENN FORD--on his way to the town of Headstone to become its new sheriff.
Ford has one of his rare comedy roles and plays it to the hilt. He's continually getting in the way of Singleton's pie-throwing finesse or taking a crack on the head with a pan, accidentally of course.
ALLEN JENKINS, as a cowardly interim sheriff, ANN MILLER, as a dance hall gal, and CHARLIE RUGGLES, as Singleton's uncle, all give fresh and funny performances. Miller is especially good in a couple of her dance routines, including a sing-and-dance number with Jenkins that comes as a delightful surprise.
Very enjoyable romp, it seems to borrow a lot of its material from other similar westerns. It features at least a half a dozen unpretentious musical numbers that make for easy listening.
Summing up: One of Columbia's better programmers.
She's so prim and proper that she refuses to even engage in conversation with the man sitting opposite her in the coach--GLENN FORD--on his way to the town of Headstone to become its new sheriff.
Ford has one of his rare comedy roles and plays it to the hilt. He's continually getting in the way of Singleton's pie-throwing finesse or taking a crack on the head with a pan, accidentally of course.
ALLEN JENKINS, as a cowardly interim sheriff, ANN MILLER, as a dance hall gal, and CHARLIE RUGGLES, as Singleton's uncle, all give fresh and funny performances. Miller is especially good in a couple of her dance routines, including a sing-and-dance number with Jenkins that comes as a delightful surprise.
Very enjoyable romp, it seems to borrow a lot of its material from other similar westerns. It features at least a half a dozen unpretentious musical numbers that make for easy listening.
Summing up: One of Columbia's better programmers.