The Dead Girl (2006)
7/10
The Dead Girl
15 June 2007
Warning: Spoilers
Since Quentin Tarantino made Pulp Fiction, giving episodic formula a success – many directors have adopted that style.

Like many Hollywood movies, this too is a serial killer movie – but revolves only around death of a single girl. But please do not think this is a typical Hollywood story line. Karen Moncrieff, the Director of Dead Girl uses the five episodic storyline treatments to this film that makes this movie very unique and different.

Episode one: about a Stranger – a lady (Toni Collette – Little Miss Sunshine fame) who lives with a psycho mother – and she is the one who finds the dead girl's body and informs police.

Episode two: about the sister – a nurse (Rose Byrne) who while doing a post-mortem of the dead girl's body wrongly realizes that the dead girl is her lost sister Episode three: about a wife (Mary Beth Hurt) of the serial killer – who knows about the killings of girls by her husband, but still is so hopelessly attached to serving the husband Episode four: about the mother (Marcia Gay Harden) of the dead girl – who tries to bring back her grand – daughter from an orphanage Lastly, episode five: about the dead girl (Brittany Murphy) who plays a run–away lesbian prostitute mother, after sexual abuse by her step – father, who on her journey to wish her 3 year old daughter for birthday takes a hike on a car of this serial killer.

Karen Moncrieff – after her award winning Blue Car, gives another hard hitting, sensitive and truly classical syle of film-making, that could be watched again, only for the brilliance of characterization, content, photographic angles, close-up shots, lights, darkness and diffusion of light.

Good part of the story telling is that it does not use any of the Hollywood movie's clichés – especially the one liners (I dis-like them when over-used in every silly scene).

Everyone has acted according to the perfection of Karen's cut. The movie belongs to Karen – in its cinematography, musical and background score and sheer excellence of tight execution.

Hats off to this breed of emerging (this is just her second directed film) good Director – I hope she promises to deliver such good stuff again.

(Stars 7 out of 10)
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