I was initially interested in this film for two reasons: 1) I am a Buddhist, and was greatly distressed--as were many others--to hear of the destruction of the sculptures of the Buddhas of Bamiyan in 2001 by the Taliban, and 2) I am particularly interested in Middle Eastern cultures and the challenges and conflicts that the people face, especially in regard to the political exhibition being played out since the United States' military involvement in Afghanistan and Iraq.
This documentary is evidence of the turmoil and hardship suffered by a particular 'cave dwelling' Shia family of Afghanistan refugees, seen through the eyes of an eight year old boy named Mir.
There are no happy endings in subject matter concerning war-torn countries and the innocent civilians who suffer at the hands of the 'liberators' as well as the 'invaders', and this documentary is no exception. However, the smile on the face of young Mir is a testament to the enduring shining spirit that lies within even the most downtrodden and oppressed members of humanity.
This is a must see for those willing to put aside political ideologies long enough to tap into the compassion that lay within all of us.
This documentary is evidence of the turmoil and hardship suffered by a particular 'cave dwelling' Shia family of Afghanistan refugees, seen through the eyes of an eight year old boy named Mir.
There are no happy endings in subject matter concerning war-torn countries and the innocent civilians who suffer at the hands of the 'liberators' as well as the 'invaders', and this documentary is no exception. However, the smile on the face of young Mir is a testament to the enduring shining spirit that lies within even the most downtrodden and oppressed members of humanity.
This is a must see for those willing to put aside political ideologies long enough to tap into the compassion that lay within all of us.