I bought this TV mini series because I loved Secret of the Sahara and I own Ennio Morricone's amazing score. The link with Secret of the Sahara was the theme, the same company and the same director (and the same composer).
Italian TV productions are often very well made. I saw the 10 mafia series La Piovra and some Italian mini's. But one this goes for most of them; the music is great, the camera work is great...but since 1998 everything is cut short for the so called MTV generation. And that just doesn't work with Tower of the Firstborne. You cannot have a movie this complex without a proper introduction that takes at least an hour. And the other two hours are filled with subplots, so it only gets more complex. The second part begins great **MINOR SPOILER** with a french legionair that saves his love with a plane, almost as a knight on horseback would save a dame in distress **SPOILER END**.
So expect nice shots, absolutely fantastic music by Ennio Morricone, wooden overacting by Guy Lankester and Ione Skye and a complex plot retold in the editing room of the studio. The setting itself is great, but there is just not enough time to let the audience 'feel' the Sahara desert. And there are some nice special effects too.
You'll be better off with Secret of the Sahara if you like mysterious adventure movies with great soundtracks. If you liked that one, you might kill off an evening with this, but don't expect to be amazed.
Italian TV productions are often very well made. I saw the 10 mafia series La Piovra and some Italian mini's. But one this goes for most of them; the music is great, the camera work is great...but since 1998 everything is cut short for the so called MTV generation. And that just doesn't work with Tower of the Firstborne. You cannot have a movie this complex without a proper introduction that takes at least an hour. And the other two hours are filled with subplots, so it only gets more complex. The second part begins great **MINOR SPOILER** with a french legionair that saves his love with a plane, almost as a knight on horseback would save a dame in distress **SPOILER END**.
So expect nice shots, absolutely fantastic music by Ennio Morricone, wooden overacting by Guy Lankester and Ione Skye and a complex plot retold in the editing room of the studio. The setting itself is great, but there is just not enough time to let the audience 'feel' the Sahara desert. And there are some nice special effects too.
You'll be better off with Secret of the Sahara if you like mysterious adventure movies with great soundtracks. If you liked that one, you might kill off an evening with this, but don't expect to be amazed.