For the first time this year the Weinstein Company has made something bearable --Hell, actually something good. The film is called Days of Glory (a title strangely reconfigured from Indigènes) and it chronicles a regiment in the war against Nazism, or, as the French call it, "liberty". But, the catch here is that these soldiers, they aren't French: They're Algerian and Morroquian. The film first suffers from superfluous paper-mâché clichés in order to demonstrate racial inequality, not as a subtle character study, but rather as an insolent whole which creates that annoying been-there, done-that feeling. Such a scene occurs when Abdelkader (Sami Bouajila) realizes that not all African troops are getting tomatoes, where as the French are. What does he do? He smashes them so "Nobody can have them". Director Rachid Bouchareb narrative is also first a bit fragmented, jumping from country to country as if they were stones. Eventually, it develops into an assured rhythm which corroborates with the film.
Brilliance in Days of Glory neither comes from ideas nor direction, but rather, through the magisterial acting, prized at Cannes, and small war vignettes. They are gripping and moving, like all war movies should be. These war scenes are powerful, and that is what makes up Days of Glory, because in the end, Days of Glory is one of the few good but flawed war films worth a damn. It has power and it is evident that it uses it wisely and vigorously.
Brilliance in Days of Glory neither comes from ideas nor direction, but rather, through the magisterial acting, prized at Cannes, and small war vignettes. They are gripping and moving, like all war movies should be. These war scenes are powerful, and that is what makes up Days of Glory, because in the end, Days of Glory is one of the few good but flawed war films worth a damn. It has power and it is evident that it uses it wisely and vigorously.