Born Innocent (1974 TV Movie)
9/10
Innocence Lost
10 September 2006
Warning: Spoilers
Linda Blair, immediately following her triumph in ''The Exorcist'' was cast in this then controversial TV movie. Christine Parker is a young runaway from an abusive home whose parents hand her over to the state. She finds herself in a detention home, where she discovers the even harsher realities of the young girls who reside there - unloved, troubled, and angry, who have the tendency to vent all their aggression onto newcomers. She finds herself as the target of their rage on evening in the shower room, where five of her fellow inmates gang up on her and violate her with a toilet plunger handle. Considered overly graphic at the time of its original airing in 1974, the scene was cut for later airings, but has been restored on DVD. Blair's nipple can be briefly seen for a few moments and that may explain why the scene was cut in subsequent TV broadcasts. As disturbing as it is, the rape is essential to the film's plot and adds to the anguish that Chris and her peers experience. When she has the chance to go home for a brief stay, her abusive father (Richard Jaeckel, magnificent) slaps her and her mother, leading the teen to run away again, taking her right back to where she started. Kim Hunter is effective as the passive, meek mother who endures her husband's insensitivity and mistreatment. Blair went on to give some more great performances in the late 70s, such as another TV movie, "Sarah T: Portrait Of A Teenage Alcoholic" and the theatrical releases "Sweet Hostage", "Summer Of Fear" and "Hell Night". Not long after, she found herself in exploitation flick hell. She is an outstanding actress, giving her all to every project, and it would have been nice if she had found some more mainstream material. Joanna Miles as the compassionate teacher, is the voice of reason and perhaps of caring in a system that does not want to take a bigger step towards actually considering the welfare of these troubled youths. Allyn Ann McLerie, as the well-meaning but ineffectual housemother Lasko, conveys the frustration and defeatist attitude of a woman who keeps things together but can't bring herself to actually make a difference in the lives of her girls. The portrayals of the other adolescents are right on target, a diverse group who all share the same pain, so much so that they become bonded in a hardened, indifferent way. Chris becomes one of the gang, and in a sadly realistic conclusion, has lost sight of any goals or aspirations she may have had to change her life.

Worth viewing, still relevant today.
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