Mario Lanza made his film debut in "That Midnight Kiss" costarring Kathryn Grayson, Ethel Barrymore, Jose Iturbi, Keenan Wynn, Thomas Gomez, Marjorie Reynolds, and Jules Munshin. The script was tailor-made for Lanza, set in his home town of Philadelphia. It was this film that nearly ruined my own singing aspirations. My mother always thought that if I were really good, someone would discover me - I guess hauling a piano - the way that Lanza was in this film. Nevertheless, I put all that aside when I watched it.
Johnny is a truck driver discovered testing out the piano he delivers to Abigail Budell (Barrymore), patron of the arts. She's just founded an opera company for the benefit of her daughter Prudence (Grayson). When the current tenor (Gomez) quits in a huff, Johnny steps in. He and Prudence are in love, but before either one of them can really act on it, Prudence is told by another woman (Marjorie Reynolds) that she wants to marry Johnny. How to get these two songbirds back together?
"That Midnight Kiss" is a big budget, glossy MGM musical extravaganza and as such, it's delicious to watch and makes for joyful listening. Lanza, attractive and a natural before the cameras, really commercialized opera in the U.S. with his clarion tenor. His IMDb bios were obviously written by fans. Though he certainly had a fantastic voice, he was evidently hard to work with, especially for his female costars. Alcohol and crash dieting eventually made his heart give out while he was still in his thirties. Also, he had his own sound; in recordings, Caruso sounds much more baritone-y, though Lanza's IMDb bio claims the voices match. It's hard to know what Lanza's voice sounded like on the opera stage. People who heard him in person claim the voice was not very large. Nevertheless, it was perfect for film.
Pretty and petite, Kathryn Grayson does a lovely job both in her acting and singing. Both singers shine in the more lyrical pieces sung outside Prudence's window and show their versatility. A side note - it's a little questionable what opera the company is doing - Grayson and Gomez sing a duet from "Lucia" in rehearsals, but the final product was in English and definitely NOT Donizetti!
The rest of the cast is superb - Keenan Wynn has impeccable comic timing, and Jules Munshin is given some great bits throughout. Thomas Gomez is hilarious as the bombastic tenor Betelli. Ethel Barrymore is stately and classy as Prudence's grandmother. Iturbi, playing himself, is delightful and plays some beautiful piano. Celeste Aida and the Lucia duet were conducted at pretty swift tempi, as was the "Caro Nome" that Grayson starts to sing at the piano.
Highly entertaining and recommended if you're a lover of classical music.
Johnny is a truck driver discovered testing out the piano he delivers to Abigail Budell (Barrymore), patron of the arts. She's just founded an opera company for the benefit of her daughter Prudence (Grayson). When the current tenor (Gomez) quits in a huff, Johnny steps in. He and Prudence are in love, but before either one of them can really act on it, Prudence is told by another woman (Marjorie Reynolds) that she wants to marry Johnny. How to get these two songbirds back together?
"That Midnight Kiss" is a big budget, glossy MGM musical extravaganza and as such, it's delicious to watch and makes for joyful listening. Lanza, attractive and a natural before the cameras, really commercialized opera in the U.S. with his clarion tenor. His IMDb bios were obviously written by fans. Though he certainly had a fantastic voice, he was evidently hard to work with, especially for his female costars. Alcohol and crash dieting eventually made his heart give out while he was still in his thirties. Also, he had his own sound; in recordings, Caruso sounds much more baritone-y, though Lanza's IMDb bio claims the voices match. It's hard to know what Lanza's voice sounded like on the opera stage. People who heard him in person claim the voice was not very large. Nevertheless, it was perfect for film.
Pretty and petite, Kathryn Grayson does a lovely job both in her acting and singing. Both singers shine in the more lyrical pieces sung outside Prudence's window and show their versatility. A side note - it's a little questionable what opera the company is doing - Grayson and Gomez sing a duet from "Lucia" in rehearsals, but the final product was in English and definitely NOT Donizetti!
The rest of the cast is superb - Keenan Wynn has impeccable comic timing, and Jules Munshin is given some great bits throughout. Thomas Gomez is hilarious as the bombastic tenor Betelli. Ethel Barrymore is stately and classy as Prudence's grandmother. Iturbi, playing himself, is delightful and plays some beautiful piano. Celeste Aida and the Lucia duet were conducted at pretty swift tempi, as was the "Caro Nome" that Grayson starts to sing at the piano.
Highly entertaining and recommended if you're a lover of classical music.