I wasn't sure what to expect from this movie about a possible lesbian love affair with a best friend, but I was pleased with its subtlety and positive turnaround ending.
Julie Johnson is a middle-aged housewife with two kids and a husband who's a policeman by day, sports-fanatic by night. After years of living a redundant life with her husband making her decisions about what she can and can't do, she takes a leap of hope to jump-start her interests into a career but, more than anything, to take control of her life for a change and learn more about herself and her surroundings. Through these changes, she takes more and more chances, pushing her lust for a newfound way of life through her best friend, Claire, and transforming her interests to include a deep love for Claire herself. Now she must decide what to do with her friends, her New York surroundings, her children, her husband, her love for science, and her future with a woman who may not choose to live this way with Julie forever.
I thought the entire film flowed very well, and it really highlighted the main points in Julie's life that she wished to change along the way. It shows a different view on homosexual (and generally modern) relationships and the struggles for individual desires after years of suppressing them into secrets only. It showed the problems that can arise by having a "lesbian" for a mother out of such a previous relationship with a man in the home for his children, but it didn't state clearly by the end whether or not Julie necessarily had a preference for one gender or the other, which, IMO, helped the film see that Julie's only true wish was to be genuinely loved and trusted that she'll do what's right and good for her life.
I didn't necessarily think that Courtney Love should've been the love interest (especially because they gave her pretty weak lines and hardly any real direction), and I think you just have to be a fan of hers for who she is more than her abilities as an actress. I thought the subtle score (and possibly songs) by Angelo Badalamenti were a nice touch, but I would've loved to hear more of the bombast quality of his previous works for David Lynch movies in this film.. I also didn't like how the children were written into the script, and often "switched sides" from the son liking his mother Julie's decisions initially and then flip-flopping back and forth (same with the daughter), but I could see how that might be that tumultuous of a time for them to settle on one side or the other.
Wrapping it up, I gave it 6/10 stars. It was easily more than an average venture into an alternative lifestyle movie, but it could've used more of the style from the director or composer to boost more of a steadfast quality into Julie to attain her dreams. Go check it out if you want to be exposed to a different way of being, and get yourself some tips about life decisions like these from this film.
Julie Johnson is a middle-aged housewife with two kids and a husband who's a policeman by day, sports-fanatic by night. After years of living a redundant life with her husband making her decisions about what she can and can't do, she takes a leap of hope to jump-start her interests into a career but, more than anything, to take control of her life for a change and learn more about herself and her surroundings. Through these changes, she takes more and more chances, pushing her lust for a newfound way of life through her best friend, Claire, and transforming her interests to include a deep love for Claire herself. Now she must decide what to do with her friends, her New York surroundings, her children, her husband, her love for science, and her future with a woman who may not choose to live this way with Julie forever.
I thought the entire film flowed very well, and it really highlighted the main points in Julie's life that she wished to change along the way. It shows a different view on homosexual (and generally modern) relationships and the struggles for individual desires after years of suppressing them into secrets only. It showed the problems that can arise by having a "lesbian" for a mother out of such a previous relationship with a man in the home for his children, but it didn't state clearly by the end whether or not Julie necessarily had a preference for one gender or the other, which, IMO, helped the film see that Julie's only true wish was to be genuinely loved and trusted that she'll do what's right and good for her life.
I didn't necessarily think that Courtney Love should've been the love interest (especially because they gave her pretty weak lines and hardly any real direction), and I think you just have to be a fan of hers for who she is more than her abilities as an actress. I thought the subtle score (and possibly songs) by Angelo Badalamenti were a nice touch, but I would've loved to hear more of the bombast quality of his previous works for David Lynch movies in this film.. I also didn't like how the children were written into the script, and often "switched sides" from the son liking his mother Julie's decisions initially and then flip-flopping back and forth (same with the daughter), but I could see how that might be that tumultuous of a time for them to settle on one side or the other.
Wrapping it up, I gave it 6/10 stars. It was easily more than an average venture into an alternative lifestyle movie, but it could've used more of the style from the director or composer to boost more of a steadfast quality into Julie to attain her dreams. Go check it out if you want to be exposed to a different way of being, and get yourself some tips about life decisions like these from this film.