The person that recommended this film to me told me that very little actually happens, and that its beauty comes from its ambiguity. I didn't sit down anxiously awaiting a structured plot and narrative. In the event it turned out to be much more straightforward than I imagined. Some people might interpret it as an exploration of the questions - "what is real? how do we know if it is or isn't?". Yet it's certainly not the only, or most important interpretation to be had.
The events of the film are not explosive or loudly momentous; yet we understand that they are enough to change him, and by the end of the film we understand why. The sharp little shocks of distraction throughout - in particularly his encounter with the would-be models - are startling and realistic in their unconstructed spontaneity, as such experiences often really are.
The events of the film are not explosive or loudly momentous; yet we understand that they are enough to change him, and by the end of the film we understand why. The sharp little shocks of distraction throughout - in particularly his encounter with the would-be models - are startling and realistic in their unconstructed spontaneity, as such experiences often really are.