Any film that is prefaced with an extract from a Dylan Thomas poem deserves some praise and this film doesn't disappoint in most departments. This is essentially a film for students of film because it plays with so many cinematic conventions and mixes seemingly irreconcilable genres. Kiss or Kill is both film noir and a road movie, playing both genres against each other with the aid of Godardian jump-cuts to heighten the uneasiness and underlying menace the film evokes so well. In this sense, the film is visually audacious and technically brilliant and that's thanks to the direction which is on-target most of the time. My only gripe was the inclusion of some dubious story lines that detracted from the film's overall uneasy effect. Thankfully the acting of both leads compensates such flaws. Worth watching with a Film Theory book in one hand and popcorn in the other.
Review of Kiss or Kill
