9/10
clever Don Barry post-Republic western set on a train--excellent cast!
27 December 2004
TRAIN TO TOMBSTONE is one of the films Don Barry made at Lippert after leaving Republic. These films are often a bit different from the norm (Red Desert, for instance...) and usually have excellent supporting casts. Barry wrote the story for this film also, and it's cleverly constructed as we have a train that throws together a diverse lot of people, PLUS we have the suspense of knowing the someone on the train is a criminal, PLUS we have the added suspense of knowing that the train will possibly be attacked along the way, but we don't know for sure or when or how or by whom. So there are a few different levels of suspense, yet most of the film can be shot on a small, static set. Barry, considered a young Cagney when he first came on the scene before his western star days, was always one of the better actors among series western stars, and he commands attention well here. Robert Lowery, with added mustache and now in his "supporting actor" days, adds more tension to the proceedings as a marshal overseeing the train (or is he?), comedian Wally Vernon is funny as a salesman trying to sell corsets to Indian women, and Tom Neal plays a doctor, although his character is not really developed very much. While it's easy to fault the film (there are external shots of bad guys chasing the train, but usually there's just a mediocre projection screen out the window that looks about as real as the one used in THE GREAT TRAIN ROBBERY, and in one scene the characters are firing guns out the window at the projection screen!), if you come to it with enough willing suspension of disbelief, it's an exciting ride, and it only takes less than an hour. The same director and four stars also made I SHOT BILLY THE KID the same year--one wonders if they were made back to back, although Berke and three of the four stars were Lippert regulars anyway. Overall, this is solid b-movie entertainment. The train plot device was a nice change of pace, and anyone who has enjoyed Don Barry's work in other films should check this one out.
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