The Outsider (based on a novel by Penelope Williamson) A film review by Joan Mostert
The Outsider, Johnny Gault (Tim Daly), arrives as a wounded stranger in an Amish-like community and is tended by Rebecca Yoder (Naomi Watts) who is a daughter of the 'plain' people. Doc Henry (David Carradine) wonders 'what kind of marks were left on his soul' when he sees the old wounds that were inflicted on Johnny's body. Although Johnny is seen as a 'shootist' and a dark, dangerous man, Rebecca has faith in the good of people.
The 'plain' people are intolerant of strangers and Noah Weaver (Keith Carradine), who is a potential suitor, resents the stranger. It is ironic that the 'plain' people do not realize that they too are Outsiders. Hunter, the cattle baron (John Noble) tells them that his family worked the land for three generations and he will not yield. Noah resents Rebecca's independence of thought. Although she belongs to the community, she does not share their herd instinct.
Rebecca experiences transcendence when she is in harmony with nature, it is then that she hears her inner music. It is pleasant for her to see the sun while Johnny knows how to read eyes because he is a 'shootist'. Because music is forbidden by the 'plain' people, except for the singing of hymns, she does not speak of her inner music to anyone except Johnny.
Johnny is a strong, passionate man and his facial expressions reveal his inner moods of anger, love and hate. He often reveals a sense of humour when, for instance, Rebecca asks him why he is buying a horse he replies, 'because you are the one that promised that I was gonna be gone.'
The preacher and the 'plain' people do not practice what he preaches: 'he who loveth God love his brother.' They see Johnny as the Outsider, not as a 'brother' within their closed community; Johnny sees them as 'kind folk.'
Doc Henry is a perceptive man who, in his quiet, understated way, understands people. The contrast of sun and rain, light and dark during the scenes of emotional intensity underscores the drama. The fine interactions of the ensemble cast all contribute towards the excellent film which is 'truly a pleasant thing to behold.'
The Outsider, Johnny Gault (Tim Daly), arrives as a wounded stranger in an Amish-like community and is tended by Rebecca Yoder (Naomi Watts) who is a daughter of the 'plain' people. Doc Henry (David Carradine) wonders 'what kind of marks were left on his soul' when he sees the old wounds that were inflicted on Johnny's body. Although Johnny is seen as a 'shootist' and a dark, dangerous man, Rebecca has faith in the good of people.
The 'plain' people are intolerant of strangers and Noah Weaver (Keith Carradine), who is a potential suitor, resents the stranger. It is ironic that the 'plain' people do not realize that they too are Outsiders. Hunter, the cattle baron (John Noble) tells them that his family worked the land for three generations and he will not yield. Noah resents Rebecca's independence of thought. Although she belongs to the community, she does not share their herd instinct.
Rebecca experiences transcendence when she is in harmony with nature, it is then that she hears her inner music. It is pleasant for her to see the sun while Johnny knows how to read eyes because he is a 'shootist'. Because music is forbidden by the 'plain' people, except for the singing of hymns, she does not speak of her inner music to anyone except Johnny.
Johnny is a strong, passionate man and his facial expressions reveal his inner moods of anger, love and hate. He often reveals a sense of humour when, for instance, Rebecca asks him why he is buying a horse he replies, 'because you are the one that promised that I was gonna be gone.'
The preacher and the 'plain' people do not practice what he preaches: 'he who loveth God love his brother.' They see Johnny as the Outsider, not as a 'brother' within their closed community; Johnny sees them as 'kind folk.'
Doc Henry is a perceptive man who, in his quiet, understated way, understands people. The contrast of sun and rain, light and dark during the scenes of emotional intensity underscores the drama. The fine interactions of the ensemble cast all contribute towards the excellent film which is 'truly a pleasant thing to behold.'