Only one redeeming feature: her name is Julianne Moore.
31 July 2003
I really tried so hard to like this film - but in the end I had to concede: we did not get on. It turned out to be one of the most disappointing pieces of 'drama' I've seen in a long time. The script is terribly hammy, in fact there are some truly apalling moments (the worst being Sigourney Weaver's declaration 'let's go on Oprah!' - I still can't work out if that was a joke) The acting (with one notable exception) is pretty mediocre, which is not helped by formulaic, humdrum direction and some truly shocking child actors. Why give kids who can't act dialogue? It undermines the dramatic potential of a film. As an aspiring screenwriter, I am constantly told to 'make every scene earn its place in your film' - well, there are countless here that could have been omitted. I have seen better made for TV films. The whole thing seems a terribly overlong excersise in 'how can we pull on the heartstrings of the Academy voters?' Luckily even they chose not to acknowledge it.

'A Map of the World' has, as I said, one redeeming feature: the presence of the gorgeous, versatile Julianne Moore. Her compelling scene of emotional breakdown following the death of her child in the woods is, in my opinion, worth the price of the film alone. What a shame that they didn't cast her in the lead role. With mediocre material like this, the only hope of transcending it is with a gifted actress of Julianne's talents - however I fear that even she could not have saved it.

One to avoid - but worth it (just) for Julianne Moore.
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