Full of Sound and Fury--signifying nothing
26 May 2002
Boy, I am amazed that this is in the IMDB top 250. It just goes to

show you that film goodwill in the form of Episodes 4-6 is not

easily destroyed by a movie that panders to the smash-em/blow

them up school of filmmaking that we got so tired of in the 90s. I

for one remember the wonder of seeing Episode IV back in 1977

and being absolutely blown away by its technical innovation while

identifying wholeheartedly with Luke and Chewy and gang. Now

we get a script that could have been written by shredding pages of

a New Age tome and pasting them together at random (am I the

only one who winced at everything that Yoda said?) And I thought

some of the political discussions on Crossfire on CNN were tough

to follow--has anybody figured out why there's going to be a war in

the first place (Lucas felt it was important for us to know, he spent

the better part of 15 minutes of the movie describing it to us in

detail). A pretty good cast here is more wasted than a Spring

Break student after a bottle of tequila--especially Natalie Portman,

who I am a big fan of, from the Professional through to Beautiful

Girls. Just when you think there is going to be a reprieve from the

relentless assault of the CGI and effects (the setup for when Luke

ultimately ends up living with his aunt and uncle in Episode 4

being a good example), you get another comic book battle of

millions of drones who you don't know blowing each other up. I

can paraphrase Billy Shakespeare here...this movie is full of

sound and fury, but it signified nothing, and it left me having an odd

out-of body experience. I can summarize this movie's heart in

three words--Jar Jar Binks.
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