THE INTERVIEW ( rating, * * * * out of 5 )
Edward Flemming, (Hugo Weaving) is a seemingly everyday guy a little bit down on his luck. In the early hours of the morning, his door is broken down and he is arrested for a crime he apparently knows nothing about.
Detective Sergeant John Steele, (Tony Martin) a cop with a dubious reputation, conducts a series of interviews searching for the truth. As time ticks by, it becomes obvious all is not as it seems. Does Edward have a confession to make? Is he innocent? Or is Steele stepping way over the line?
Writer/director Craig Monahan, with help in the script department by Gordon Davie, construct a tense and absorbing movie which is punctuated by a menacing soundtrack composed and performed by David Hirschfelder.
This is stylish film-making at its best. Lush production values, elegant lighting, the skilful manipulation of slow motion, all combine to take the discerning viewer on a strange and mysterious ride.
Everything about this movie works - fine acting, expert writing and imaginative directing. Craig Monahan moves the story slowly but surely - deft handling of mood and atmosphere.
This film has to be really watched as the usual over-the-top bells and whistles are traded for innuendo and simmering tension. The longer this film went, the more it felt like a return to classic film noir where true movie-making was about absorbing an audience with story and character.
'The Interview' has many surreal qualities due to its intelligent subtleties. However, if these elements are missed, it will undoubtedly fall a little flat.
My only real criticism is that the ending was a little unsatisfying. The movie built up such viewer unease that the finale just fell away almost making the whole exercise pointless. This aside, 'The Interview' is a rare film and should not be missed.
The reality is that this film is not for everyone due to its strict attention demand on the audience. If you're looking for a film where you can slip your brain into neutral then give this one a miss. However, if a sharp thriller where the narrative is driven by deception is your bag, then 'The Interview' will not displease.
Edward Flemming, (Hugo Weaving) is a seemingly everyday guy a little bit down on his luck. In the early hours of the morning, his door is broken down and he is arrested for a crime he apparently knows nothing about.
Detective Sergeant John Steele, (Tony Martin) a cop with a dubious reputation, conducts a series of interviews searching for the truth. As time ticks by, it becomes obvious all is not as it seems. Does Edward have a confession to make? Is he innocent? Or is Steele stepping way over the line?
Writer/director Craig Monahan, with help in the script department by Gordon Davie, construct a tense and absorbing movie which is punctuated by a menacing soundtrack composed and performed by David Hirschfelder.
This is stylish film-making at its best. Lush production values, elegant lighting, the skilful manipulation of slow motion, all combine to take the discerning viewer on a strange and mysterious ride.
Everything about this movie works - fine acting, expert writing and imaginative directing. Craig Monahan moves the story slowly but surely - deft handling of mood and atmosphere.
This film has to be really watched as the usual over-the-top bells and whistles are traded for innuendo and simmering tension. The longer this film went, the more it felt like a return to classic film noir where true movie-making was about absorbing an audience with story and character.
'The Interview' has many surreal qualities due to its intelligent subtleties. However, if these elements are missed, it will undoubtedly fall a little flat.
My only real criticism is that the ending was a little unsatisfying. The movie built up such viewer unease that the finale just fell away almost making the whole exercise pointless. This aside, 'The Interview' is a rare film and should not be missed.
The reality is that this film is not for everyone due to its strict attention demand on the audience. If you're looking for a film where you can slip your brain into neutral then give this one a miss. However, if a sharp thriller where the narrative is driven by deception is your bag, then 'The Interview' will not displease.