The plot is simple; two men, considered as paragons in their respective fields find themselves on opposite sides of the law, and must use their expertise to outwit each other. Pacino is the driven detective, with a sixth sense for secong-guessing his nemesis, DeNiro is the brilliant thief, always one step ahead of the law. In terms of plot premise that's it, so 'Let the games begin' This film received mixed reviews; some felt the dramatic once in a lifetime on screen pairing of Hollywood's two greatest actors was a masterful stroke. Others felt the film was overly pretentious and too long to sustain the interest of the viewer. I side with the former; Heat is, if anything underrated as a film because many can't accept it's brilliance on the cinematic level. People seem to be drawn to it because of the actors and the action setpieces and nothing else.
To begin, the idea of pitting the 20th century's two greatest actors against each other was a splendid idea. The film plays out like a contest; each demonstarting their vast expertise as characters and actors. Only one can stand supreme, but the finale still leaves us questioning as to who the taller man actually is. What makes Heat even more absorbing is the contrast in acting styles. Pacin o loves loud gesticulations and likes to scream a lot. He has made the overacting thing his forte and we love to imitate him. DeNiro, conversely likes to keep quiet. He seduces the audience with the looks that tell a million stories. He likes to underact if you like and this allows the two actors to play off each other superbly.
I beg to differ that this film is half as good without the two leads. I found the script to be exquisite; the characters are so profound and the shape and evolution of the plot is determined by these people. There is so much emphasis on the work ethic of these men and how this drive makes them more and more alienated from their families and love lives. It is a strong undertone that is being expressed here; we realize that juggling work and family is impossible. You must do one at the expense of the other. The more committed you are to one, the more you distance yourself from the other. In Heat this is expertly conveyed!
Timing is everything in Heat; there has to be a balance between Pacino and his brigade doing the investigating and DeNiro and his crusaders getting away. The fluency of the direction and the writing ensures that the tempo doesn't falter for a minute. My only complaint is the one you'd least expect. The big street fight between the cops and robbers is over elaborate and goes on for too long. This scene was intended to break the film in two; it divides the initial story (the build up to the job) with the second story (the getaway) and Director Michael Mann intended it to be the big butter knife that divides the two. However, he drags the scene on for too long. I always feel one should leave the audience gasping for more rather than suffocating them with everything you have to offer. It's not a big detail because the rest of the film plays out like a beautiful symphony; every note is perfectly timed and executed.
What is worth appreciating is, as cited, earlier, the character development. These people could have been in any number of other movies, in any number of genres and they would still have preserved their essence. It doesn't have to a a cop movie; it could be a film set on Wall Street, on a desrted island, on Mars, whatever.....It's characters are so 3-dimensional that they could be as effective and productive playing in almost any other movie. Hats Off to the writing!! It shows that this is not your run-of-the-mill formulaic cop thriller.
Long movies are always in fear of exhausting the viewers patience. If you are going to be long, you must make sure that every scene is worth it! This is a golden rule! Heat makes no mistakes in this area; each scene goes a long way in maintaining the integrity of the script. The musical score composed by Elliot Goldenthal is very imaginative. It's hard to descibe it and why it so efficiently complements the movie, but it does!
I don't know if the two leads actually like each other, but I would like to think that their relationship in the film is akin to their relationship off it. They are in competition for who is the greatest of his time, the battlefield is not big enough for both of them so only one can stand alone. Despite the conflict, they have the deepest regard and respect for each others styles and commitments. In another lifetime, they would the best of pals, in this one they must fight to the death. Fortunately, Hollywood continues to recognize the both of them and they still appear to be neck and neck in the race.
To begin, the idea of pitting the 20th century's two greatest actors against each other was a splendid idea. The film plays out like a contest; each demonstarting their vast expertise as characters and actors. Only one can stand supreme, but the finale still leaves us questioning as to who the taller man actually is. What makes Heat even more absorbing is the contrast in acting styles. Pacin o loves loud gesticulations and likes to scream a lot. He has made the overacting thing his forte and we love to imitate him. DeNiro, conversely likes to keep quiet. He seduces the audience with the looks that tell a million stories. He likes to underact if you like and this allows the two actors to play off each other superbly.
I beg to differ that this film is half as good without the two leads. I found the script to be exquisite; the characters are so profound and the shape and evolution of the plot is determined by these people. There is so much emphasis on the work ethic of these men and how this drive makes them more and more alienated from their families and love lives. It is a strong undertone that is being expressed here; we realize that juggling work and family is impossible. You must do one at the expense of the other. The more committed you are to one, the more you distance yourself from the other. In Heat this is expertly conveyed!
Timing is everything in Heat; there has to be a balance between Pacino and his brigade doing the investigating and DeNiro and his crusaders getting away. The fluency of the direction and the writing ensures that the tempo doesn't falter for a minute. My only complaint is the one you'd least expect. The big street fight between the cops and robbers is over elaborate and goes on for too long. This scene was intended to break the film in two; it divides the initial story (the build up to the job) with the second story (the getaway) and Director Michael Mann intended it to be the big butter knife that divides the two. However, he drags the scene on for too long. I always feel one should leave the audience gasping for more rather than suffocating them with everything you have to offer. It's not a big detail because the rest of the film plays out like a beautiful symphony; every note is perfectly timed and executed.
What is worth appreciating is, as cited, earlier, the character development. These people could have been in any number of other movies, in any number of genres and they would still have preserved their essence. It doesn't have to a a cop movie; it could be a film set on Wall Street, on a desrted island, on Mars, whatever.....It's characters are so 3-dimensional that they could be as effective and productive playing in almost any other movie. Hats Off to the writing!! It shows that this is not your run-of-the-mill formulaic cop thriller.
Long movies are always in fear of exhausting the viewers patience. If you are going to be long, you must make sure that every scene is worth it! This is a golden rule! Heat makes no mistakes in this area; each scene goes a long way in maintaining the integrity of the script. The musical score composed by Elliot Goldenthal is very imaginative. It's hard to descibe it and why it so efficiently complements the movie, but it does!
I don't know if the two leads actually like each other, but I would like to think that their relationship in the film is akin to their relationship off it. They are in competition for who is the greatest of his time, the battlefield is not big enough for both of them so only one can stand alone. Despite the conflict, they have the deepest regard and respect for each others styles and commitments. In another lifetime, they would the best of pals, in this one they must fight to the death. Fortunately, Hollywood continues to recognize the both of them and they still appear to be neck and neck in the race.