... I really love Medem's ability to cast feelings in apparently simple pictures. These takes are truly highly compressed miniatures of human behavior in our days. The problem with the squirrel under discussion here is that it is way too much 1980s when we talk about style and too much 1899s when we want say something about the message. Sure, Medem takes himself the freedom to picture sinister cravings and fears, but after some 100 years of psychoanalysis (also in the arts and humanities) this is less brave than it once was. These women, yes they really make us shudder from fear, since they might only fake their submission. However, that cannot really touch me.
Are you afraid of women who know what they want, that are not created by you?
Are you afraid of women who know what they want, that are not created by you?