Clouded
16 July 2002
Warning: Spoilers
Spoilers herein.

I was disappointed in this -- not so much because it was bad, but because we get so few chances at this sort of thing. When we do, we should take advantage of it.

My own feeling about films is that the actor is the last person to trust to understand the project. An actor has his own concerns, and some of those conflict with those of the filmmaker. It is the filmmaker's job to create the vision. So too with cinematographers. Whenever one of them wrests control of a film, the film is lessened from what it might have been.

That's because film is a uniquely multidimensional experience. Take film music. This is is an art all to itself. Hearing film composers chat about their work is interesting, and that is the level of what we get here. But hearing a talented critic of film music talk about many composers and techniques and effects is a real treat. We missed that here, even before we get into some incredible examples that were overlooked, because because of politics, perhaps because they were too sophisticated for target TeeVee audience, perhaps because the requisite talking head was unavailable.

But on beyond that, how wonderful would it have been to have someone intelligent use even these same examples and speak from the perspective of filmmaker. That guide would let us know the negatives of the craft (sorry, couldn't resist), how effects can be composed across skills (art design, editing, acting, writing). It would be worthwhile. To listen to these guys, a film starts with a story, everyone supports the story as best they can, and of these the photographer brings it to life, perhaps artfully. A low point is when we are told about `green is for intelligence' concerning `The Last Emperor.'

What a scandal. What a missed opportunity.

Ted's rating: 2 of 4 -- Has some redeeming feature.
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