Please Note: This review mentions key moments in this film. Do not read if you have not seen the movie!
Vera, the protagonist in the film Little Vera, lives in a closed, cramped world. She is trying to escape, both emotionally and physically, but in the end is no closer to freedom. Most of the reviews I read brought up the recurrent theme of limited space in this movie. The family apartment represents Vera's closed world in the simplest sense. She has no room to move, no room to grow and no room to find herself. Everywhere she turns the finds herself face to face with her mother, father, brother or simply a wall.
However, the family apartment is only one way that the director maintains this constant feeling of confinement. Throughout the film, Vera is rarely shown at a distance. She is always in a small room, or sitting directly next to someone else, or being physically smothered by those around her (Andrei, Sergei, etc.). She is almost always in physical contact with another person. During the rare times that she truly is alone, such as when she is attempting suicide, the camera only zooms in closer. In this way, the lens replaces the walls and smothering humanity, itself becoming an object of confinement.
If visual effects of confinement aren't possible, then sound is used to heighten the sense of disparity. Most of the dialogue in Little Vera, with the exception of less intense moments when the music volume is increased, is shouted, yelled or screamed. Vera's family is constantly in conflict and even the most civil dinner eventually erupts into argument. I found the constant barrage of sound equally as suffocating as the repeated scenes within the tiny apartment, and twice as hard on the nerves. Unlike Vera, however, we could leave when it was all over.
It is hard not to feel sorry for Vera at the end of the movie, but is our sympathy justified? She returns, time and again, to the very apartment and situation that is slowly taking the life out of her. Can she really be considered a victim if she is bringing a lot of her misery upon herself?
Vera, the protagonist in the film Little Vera, lives in a closed, cramped world. She is trying to escape, both emotionally and physically, but in the end is no closer to freedom. Most of the reviews I read brought up the recurrent theme of limited space in this movie. The family apartment represents Vera's closed world in the simplest sense. She has no room to move, no room to grow and no room to find herself. Everywhere she turns the finds herself face to face with her mother, father, brother or simply a wall.
However, the family apartment is only one way that the director maintains this constant feeling of confinement. Throughout the film, Vera is rarely shown at a distance. She is always in a small room, or sitting directly next to someone else, or being physically smothered by those around her (Andrei, Sergei, etc.). She is almost always in physical contact with another person. During the rare times that she truly is alone, such as when she is attempting suicide, the camera only zooms in closer. In this way, the lens replaces the walls and smothering humanity, itself becoming an object of confinement.
If visual effects of confinement aren't possible, then sound is used to heighten the sense of disparity. Most of the dialogue in Little Vera, with the exception of less intense moments when the music volume is increased, is shouted, yelled or screamed. Vera's family is constantly in conflict and even the most civil dinner eventually erupts into argument. I found the constant barrage of sound equally as suffocating as the repeated scenes within the tiny apartment, and twice as hard on the nerves. Unlike Vera, however, we could leave when it was all over.
It is hard not to feel sorry for Vera at the end of the movie, but is our sympathy justified? She returns, time and again, to the very apartment and situation that is slowly taking the life out of her. Can she really be considered a victim if she is bringing a lot of her misery upon herself?