Hal Ashby always leavened his comedic films (Harold and Maude, Being There, Last Detail) with sharp social commentary and observation, and "Shampoo" is no different. Taking place on the eve and day of the 1968 Presidential Election, it's as concerned with the "free love" hedonism as it is with the profound and dark social changes that had taken place by 1975 (the year "Shampoo" was produced).
Beatty has never been more charming - or revealing as emptily vain as anyone so "successful" with women can become, and the film switches between surprisingly adult material even for now with a concern for mid-life crises, cultural politics, and ultimately, a cynical view of how the free-wheeling 60s counterculture didn't take themselves seriously enough. Robert Towne's influence in the script is clearly evident.
Already "dated" when it came out, it's a great snapshot of the times, its concerns and issues, and is relevant today.
Beatty has never been more charming - or revealing as emptily vain as anyone so "successful" with women can become, and the film switches between surprisingly adult material even for now with a concern for mid-life crises, cultural politics, and ultimately, a cynical view of how the free-wheeling 60s counterculture didn't take themselves seriously enough. Robert Towne's influence in the script is clearly evident.
Already "dated" when it came out, it's a great snapshot of the times, its concerns and issues, and is relevant today.