Rome Before Christ. After Mind-Altering Drugs.
11 April 2002
In the late 1960's Federico Fellini created one of the most beautiful and at the same time disturbing films ever made. Watching each frame is like gazing into a bizarre painting. I am honestly surprised that Salvador Dali didn't have anything to do with this film. It tells the epic tale of a Roman student's journey through a nightmarish landscape chock full of weird characters and even weirder events. With all the extras, costumes, and set designs, there is so much for the eyes here it is truly unbeleivable. The most disturbing thing I caught about the film is how characters will look into the camera in a frozen stare. It makes you feel as if you are right there. My favorite scene is when Encolpius battles the Minotaur, I don't think I will ever get that chanting out of my head. There is a constant undercurrent of humor that most viewers might not get at first, so you really need to read between the lines. The cinematography is nothing short of perfection thanks to Giuseppe Rotunno accompanied by an always eery music score by Nino Rota. The intense experience you get from this film is unlike anything in film history. Its just one of those great films that shakes you up and leaves you pondering it for hours, days, even years. Its influence can be seen in films like Terry Gilliam's "Time Bandits", "Brazil" and "The Adventures of Baron Munchausen"; as well as the Shakespeare adaptation "Titus" and even the more recent film "The Cell". I recommend Fellini Satyricon for fans of abstract or surreal art and set design who can see past the disturbing plot and appreciate a true masterpiece of cinema.
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