Vincente Minnelli was always fascinated with French culture; and just as French painters began to abstract their subjects and create incredibly nebulous confections supported by intelligent and insightful craft, so Minnelli does with the MGM musical in YOLANDA AND THE THIEF.
This movie has to be seen to be believed. From the first frame it invents its own universe and never for a second does it venture into anything that could be called 'reality'.
This movie has to be seen to be believed. From the first frame it invents its own universe and never for a second does it venture into anything that could be called 'reality'.