Once again, as so often in movies of the pre-Code era, here's a woman with brains, beauty and the drive to get ahead who loves a guy who has none of the above (including acting talent). Naturally, she props him up by getting him a big job without his knowing it (although this unpromising lead is dropped and doesn't become a plot complication). Throw in the lecherous boss she uses to make the boyfriend (actually her secret hubby) jealous, and the cliche is complete. That said, it's still what you do with the story that counts, and here nothing whatsoever is done with it! No clever dialogue, no revealing moments, no amusing supporting character players, no special qualities in the narrative timing, sets, camera or lighting. Nothing unexpected whatsoever. That is, nothing until Joan Blondell steps in at the very end as a brassy professional co-respondent. Her performance and the dialogue, as she and the husband play cards while they wait for the photographer to arrive, suddenly bring the film to life and give it a decent finish. Still, one of the weaker Warners of the period. WEEKEND MARRIAGE, a similar film made the following year, also with Loretta Young, is much more interesting.
Review of Big Business Girl
