The Shining (1980)
Subliminal scenes with make-up or costumes in more than just kinky situations, when you know something feels terribly wrong. Scenes that unfathomably play with your "inner cinema".
◄ IMDb Polls
Poll: The Most Breath Taking Suspense Horror Elements
Since horror movies became cult, several kinds of techniques, clever scripts and psychological tricks were used to bone-chill the audience and give them the goosebumps. From these mentioned techniques and tricks, which is the the most effective to shake you up?
Give us the creeps here.
Make Your Choice
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Patrick Wilson and Joseph Bishara in Insidious (2010)
Normality, interrupted by an unexpected appearence or occurrence. -
Nick Castle in Halloween (1978)
Nerve-racking music or noises, appearing together with the subliminal optical allusion of the threat. -
Jack Nicholson in The Shining (1980)
Insane Faces of rage. -
Toni Collette in Hereditary (2018)
Grimaces of fear. -
Tobin Bell in Saw (2004)
The threat of unknown game masters. -
Bonnie Aarons and Vera Farmiga in The Conjuring 2 (2016)
Lurking beings in the shadows. -
Rob Bottin in The Fog (1980)
Dark, murky and creepy atmospheres. -
Joe Bellan in Invasion of the Body Snatchers (1978)
Weird combinations of hybrids like the bum's head on the body of his dog. -
Christine (1983)
Technical objects that seem to have their own life. -
"American Werewolf In London, An" David Naughton 1981 Universal
Shape-changing scenes of theriantrophic beings. -
Anthony Perkins in Psycho (1960)
Insane smiles. -
Neve Campbell, Skeet Ulrich, and Matthew Lillard in Scream (1996)
The hide and seek play between two or more deranged characters and their victims. -
Harvey Stephens in The Omen (1976)
The strange behavior of kids. -
The Shining (1980)
Symbolic blood floods or fountains, showed in slow motion. -
Cary Elwes and Tobin Bell in Saw (2004)
Nightmarish unpredicted bone freezing plot twists. -
Heather Donahue in The Blair Witch Project (1999)
The fear of the woods. -
Bruce Campbell in Evil Dead II (1987)
Downspirals of doom that sympathetic characters suffer from. -
Nicole de Boer and Maurice Dean Wint in Cube (1997)
The horror of the protagonist(s) to see their comrade-in-arms die, knowing to be the next another time. -
Virginia Madsen in Candyman (1992)
Rotten places, buildings, districts. -
Michael Rooker and Tom Towles in Henry: Portrait of a Serial Killer (1986)
The banality of evil beings. -
John Cusack in 1408 (2007)
The unreal feeling of environment that changes from bad to worse and at least worst. -
Ted Clark and Julian Richings in Wrong Turn (2003)
Ugly inbreed masking -
Florence Paterson in It (1990)
Situations that slowly turn bizarre until they feel unbearable. -
John Cleese and Monty Python in Monty Python's Flying Circus (1969)
Well ... witch hunting season is approximately over. ... We'll soon wish you a Merry Christmas. Please stay patient.
