“No Time to Die” heralds Cary Joji Fukunaga’s turn at helming the 25th James Bond movie. Not only did Fukunaga shoot on film, he shot for IMAX.
Fukunaga picked his team of artisans to help keep the emotional arc of the storytelling front and center. Here he talks with Variety about the crafts of the film which dominated the BAFTA and Oscar-shortlists and could very well land a Best Picture nomination.
Tell us about Linus Sandgren and picking him as your director of photography.
What he created and what we did together was just fit together so nicely. There’s a certain feeling you get when a scene is cut together in the order in which you conceived it and shot it. We liked to shoot something where each shot had meaning and where you weren’t recovering you know, there’s different philosophies and strategies for shooting, but oftentimes,...
Fukunaga picked his team of artisans to help keep the emotional arc of the storytelling front and center. Here he talks with Variety about the crafts of the film which dominated the BAFTA and Oscar-shortlists and could very well land a Best Picture nomination.
Tell us about Linus Sandgren and picking him as your director of photography.
What he created and what we did together was just fit together so nicely. There’s a certain feeling you get when a scene is cut together in the order in which you conceived it and shot it. We liked to shoot something where each shot had meaning and where you weren’t recovering you know, there’s different philosophies and strategies for shooting, but oftentimes,...
- 1/13/2022
- by Jazz Tangcay
- Variety Film + TV
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