John Krasinki’s “A Quiet Place” received near unanimous acclaim when it opened in theaters nationwide in April 2018 (the film boasts an impressive 95 percent on Rotten Tomatoes from 364 reviews), but one critic who panned the movie was Richard Brody of The New Yorker. Brody’s review of the movie was titled “The Silently Regressive Politics of ‘A Quiet Place'” and claimed Krasinski’s horror film had the whitest voice in film since the release of Martin McDonagh’s “Three Billboards Outside Ebbing, Missouri” the year prior. “As horror films go, it’s the antithesis of ‘Get Out,'” Brody wrote, “inasmuch as its symbolic realm is both apparently unconscious and conspicuously regressive.” The review criticized “A Quiet Place” for its central narrative about a white family with guns protecting their home from “a bunch of big, dark, stealthy, predatory creatures.”
Brody’s “A Quiet Place” review came to Krasinski’s...
Brody’s “A Quiet Place” review came to Krasinski’s...
- 2/20/2020
- by Zack Sharf
- Indiewire
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