A young African-American visits his white girlfriend's parents for the weekend, where his simmering uneasiness about their reception of him eventually reaches a boiling point.
In the summer of 1989, a group of bullied kids band together to destroy a shape-shifting monster, which disguises itself as a clown and preys on the children of Derry, their small Maine town.
Director:
Andy Muschietti
Stars:
Bill Skarsgård,
Jaeden Martell,
Finn Wolfhard
Three girls are kidnapped by a man with a diagnosed 23 distinct personalities. They must try to escape before the apparent emergence of a frightful new 24th.
Director:
M. Night Shyamalan
Stars:
James McAvoy,
Anya Taylor-Joy,
Haley Lu Richardson
Twenty-seven years after their first encounter with the terrifying Pennywise, the Losers Club have grown up and moved away, until a devastating phone call brings them back.
Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.Written by
Anonymous
Director Jordan Peele asserted that the scene where Walter (Marcus Henderson) is running at Chris (Daniel Kaluuya) and the audience at full speed is a nod toward the power of depth in films. He cited North by Northwest (1959) as an example of this technique, stating, "Somebody running at you or towards you just creates a visceral and physical reaction for the audience." See more »
Goofs
Chris stands up with his hands up at the 1:38:38 and continues standing at 1:38:40, 1:38:48, and the 1:38:54 marks; then reappears at the 1:38:58 mark getting up from a a *prone position* and walking until 1:39:04 without ever having his hands in the air. See more »
From hit or miss comedy to Get Out, Jordan Peele proves to us that he has certainly matured as a filmmaker.
Get Out is one of the best and most refreshingly original horror movies in the last decade.
Rather than having in your face predictable jump scares and cheesy music, Get Out dwells on the mind and relies on the fear of the unknown while giving subtle messages on racism and what's it like to be black in America and for an anti-racism movie everything is handled very well due to Peele's great writing.
As I've already mentioned the best aspect of Get Out is the writing; the characters are intelligent people and behave like logical human beings instead of cliché horror movie idiots. Everything happens for a reason and there is a meaning behind everything. Also unlike other horror movie clichés Get Out doesn't fake its scares or replaces them with needless humour. Instead, the humour (mainly Lil Rel Howery's character) is perfectly balanced with the story and shows up at adequate times.
Creepy, unsettling and filled with brilliant performances (primarily from Daniel Kaluuya) and even better writing, Get Out perfectly represents the US society in its current era.
Final Score: 8+/10
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Inspired by The Farewell director Lulu Wang's call to action at the 2020 Independent Spirit Awards, we celebrate women filmmakers working in their field.
From hit or miss comedy to Get Out, Jordan Peele proves to us that he has certainly matured as a filmmaker.
Get Out is one of the best and most refreshingly original horror movies in the last decade. Rather than having in your face predictable jump scares and cheesy music, Get Out dwells on the mind and relies on the fear of the unknown while giving subtle messages on racism and what's it like to be black in America and for an anti-racism movie everything is handled very well due to Peele's great writing. As I've already mentioned the best aspect of Get Out is the writing; the characters are intelligent people and behave like logical human beings instead of cliché horror movie idiots. Everything happens for a reason and there is a meaning behind everything. Also unlike other horror movie clichés Get Out doesn't fake its scares or replaces them with needless humour. Instead, the humour (mainly Lil Rel Howery's character) is perfectly balanced with the story and shows up at adequate times.
Creepy, unsettling and filled with brilliant performances (primarily from Daniel Kaluuya) and even better writing, Get Out perfectly represents the US society in its current era.
Final Score: 8+/10