In the past decade, a series of directors have come out of the New York repertory film scene, people who’ve watched countless amounts of movies and have distilled that labor of pure love for cinema into films made within that context. Filmmakers like Ted Fendt, Gina Telaroli, and Ricky D’Ambrose jump to mind immediately in that context, as well as the resurgence of Dan Sallit, who since his 2012 feature The Unspeakable Act has managed to get more festival and theater distribution than ever before; or the case of Argentinian filmmaker Matías Piñeiro, who moved to New York to teach but also became a usual presence in the city at repertory cinemas. One thing all of these filmmakers have in common is a name that repeats in most of their recent work: Graham Swon as producer.Graham Swon is also part of that intense type of cinephile filmmakers that...
- 10/30/2019
- MUBI
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