Death in Venice. Courtesy of Warner Bros."You’re much too important a man to be a slave to conventions about nature. I’ll restore what was yours [...] Then you can fall in love."—Luchino Visconti's Death in VeniceThe adaptation of a novel to film is a precarious task, especially with source material as philosophically dense and deliberately cryptic as Thomas Mann’s turn-of-the-century novella Death in Venice. Since the time of its release, Luchino Visconti’s 1971 interpretation of the famous work has weathered a mixed critical reception, with praise reserved primarily for the film’s lush, scenic photography. Still, some considered these elements wasted on a questionable depiction of a man’s Lolita-esque sexual guilt trip. Gustav von Aschenbach, the writer-protagonist of Mann’s story, is in Visconti’s interpretation Aschenbach the composer (played by Dirk Bogarde with fussy and uncharacteristically sallow demeanor), a man self-exiled to Venice in search of rest,...
- 12/14/2018
- MUBI
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